tag:blogger.com,1999:blog-51323108340395785362023-06-20T06:43:06.907-07:00IAS ExamsLive Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.comBlogger105125tag:blogger.com,1999:blog-5132310834039578536.post-70767094314909628362009-11-25T02:08:00.000-08:002009-11-25T02:09:15.090-08:00FAQQ1. What is the restriction on number of attempts in the Examinations?<br />Ans. Number of attempts - General-4, OBC-7, SC/ST- No restriction<br /><br />Q2. Is there any relaxation in number of attempts for physically handicapped?<br />Ans. No. However physically handicapped candidates belonging to SC, ST and OBC categories will be eligible for relaxation in number of attempts provided to such categories.<br /><br />Q3. Can a candidate who has completed his education from an open school/ University apply for Commission’s Examination?<br />Ans. Yes, provided it is a recognized University and he possess the educational qualifications prescribed for the exam and is otherwise eligible.<br /><br />Q4. Whether a candidate belonging to a community included in the OBC list of states but not in the Central list of OBCs is eligible for age relaxation, reservation etc. for Commission’s Examinations?<br />Ans. No. Only candidates belonging to communities which are included in the Central list of OBC’s are eligible for such concessions.<br /><br />Q5. Can a candidate choose an optional subject, which he has not studied at graduate/PG level?<br />Ans. Yes.<br /><br />Q6. Is it necessary for a candidate to take the same optional subject in the Main Exam, which he had taken in the prelims Examination?<br />Ans. No.<br /><br />Q7. If a candidate has applied for the CS (P) Examination but has not appeared at any paper in the CS (P) Examination will it be counted as an attempt?<br />Ans. No. An attempt is counted only if a candidate has appeared in at least one paper in CS (P) Examination.<br /><br />Q8. Is a candidate who has done his graduation without passing class X and class X11 eligible for Civil Service Examination?<br />Ans. Yes.<br /><br />Q9. Can a candidate write different papers of Civil Service (Main) Examination in different languages?<br />Ans. No, Candidates have the option to write their answers either in English or in any one of the Eighth schedule languages.<br /><br />Q10. Can a candidate write the Civil Service (Main) Examination in English and take the interview in Hindi or any other Indian language?<br />Ans. If a candidate opts an Eighth schedule language for the CS (Main) Examination he will have the option to take the interview in same language or in English.<br /><br />Q11. How to choose a subject?<br />Ans. Normally one should select optionals, which one is familiar with, or has at least studied till the graduate level. If you are not comfortable with the subject, you should not select the subject as an optional. But the choice should not only be as per your interests but also be baed on the study material available. Even science and engineering students take up subjects like history, sociology, anthropology, grography, political science, psychology and public administration because there is a huge amount of study material available in these subjects. Also keep in mind that you may have been proficient in a subject, but lack of touch may make it tougher to crack technical subject where freshers may do better. The competition is among the people who have opted for the same subject. One should top in his/her subject to succeed in the examination. The Point is, if you are an electrical engineer with 2 years of experience go for a new subject like pub adm or sociology.<br /><br />Analyse the syllabus of previous years and the question papers, and analyse past trends. Get some feedback/advice from seniors and fellow students who are well versed in the subject. Remember no subject is bad. History is good if you can spend more than 4-5 hours everyday. Geography is a good option if you can spend at least 4 hrs every day. Pub Ad, more than 3 hours. Sociology, more than 2 hours and so on.... So, it all depends on how much time you can spend a day and your liking of the subject. You have a very good memory then a technical subject may help else a social subject would be better. Lastly look for overlap in subjects like, sociology and pubad; history and political science etc.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-71180669202233579492009-11-25T02:05:00.000-08:002009-11-25T02:08:34.082-08:00Tips for InterviewBasics: <br /> 1.The interview is nowadays known as a Personality Test. The reason being that it is not a test of knowledge, but of the overall personality of the candidate/aspirant.<br /><br />2.Interview is more of a psychological test that is just content-based. Along with good communicative skills and self-confidence, good knowledge base no doubt gives you an upper hand. However, it has to be borne in mind that nearly all the aspirants/candidates in the Personality Test start more or less as equals in the sphere of knowledge base.<br /><br />3.The most important thing to know about an interview is that it is not always a question-answer session and that the Board members are looking for different aspects of one’s personality.<br /><br />4.One is not expected to know everything under the sun. If you do not know the answer to a particular question, do not hesitate to say – I don’t know, Sir/Ma’m. However, even “I don’t know Sir/Ma’m” should be said confidently and with a reasonable amount of cheerfulness. Remember – your knowledge levels have been thoroughly checked during the earlier stages of the CSE – viz Prelims and Mains.<br /><br />5.Always remember that the interview is not a cross examination, but a natural, purposeful conversation. <br /><br />6.Personality is a life-long asset and a thing, which evolves and changes every day. <br /><br />7.Preparation <br /><br />8.Keep a photocopy of the form filled for the Mains examination handy. Most of the initial questions – viz the meaning of your name, educational background, professional experience, hobbies etc will be based on this form only. Try to prepare on your bio-data; roughly 70% questions are based on bio-data, 20% questions are based on your subject and 10% are based on current affairs.<br /><br />9.Aspirants to CSE should take an intelligent interest not only in areas of their specialization, but also in what is happening around them – both within and outside the country.<br /><br />10.Be well informed about your interests and hobbies as there will be a few questions probing your levels of knowledge as regards your hobbies and interests.<br /><br />11.Prepare thoroughly about your hometown & home state. If you hail from a place of historical importance or tourist interest, prepare well on it.<br /><br />12.Know yourself. Prepare brief answers to choice of your subjects, family background, meaning of your name. You should try to take the lead by answering questions based on your bio-data.<br /><br />13.One of the secrets of success is to prepare for the Personality Test along with the written test. <br /><br />14.If a person gives the impression of being a bookworm, the chances of his/her selection are reduced. The candidate must exhibit an all-round personality, which indicates that the aspirant possesses a complete personality.<br /><br /><span style="font-weight: bold;">MOCK /PRACTICE </span><br /><br />15.One should form a group of 4-5 people, as the preparation for Personality Test cannot be done in isolation. Try holding as many mock interviews as possible.<br /><br />16.No training institute can develop/transform your personality in a few days. However, some of the tips may help in ironing out some weaknesses/grey areas and can provide an avenue for a well-planned preparation and group discussions.<br /><br />17.Take mock interviews. In the mock interview, ask your friends to grill you so that you can face pressure from the Board easily.<br /><br />18.Discuss a lot with your friends. This not only helps in you assimilating different points of view, but also enhances knowledge levels.<br /><br /><span style="font-weight: bold;">DRESSING UP: </span><br /><br />19.Dress sense is of crucial importance. The choice of dress should be according to the weather conditions. Try not to wear newly stitched clothes, as they might make you uneasy. Light colours should be preferred. White colour is a good choice.<br /><br />20.Wear comfortable clothes. Men need to wear light coloured shirt and a dark trouser with a tie (if weather permits). Women appear best in a saree or salwar/kameez.<br /><br />21.Pay attention to the details, ironed dress, polished shoes, hair accessories, trimmed nails etc. Polish your footwear meticulously. Use convenient footwear like black or brown leather shoes.<br /><br />22.Women candidates should take care to avoid the hair falling over the face as it could annoy both – you and the interviewer. <br /><br />23.Do not wear anything that connects you with a religious or political group. <br /><br />24.Do not use heavy perfume/deodorants. <br /><br />25.In case you have a running nose or have caught a cold, carry a handkerchief, or sufficient stock of tissue paper. Tissue paper is preferable.<br /><br />26.Some candidates take medicine to relax on the previous night of the interview; this should be avoided as the effect of medicine may decrease your alertness during the interview.<br /><br />27.What and how you eat is also important. Have a light meal on the day of the Personality Test. Do not go for the interview on an empty stomach. However, also avoid over-eating, or having a heavy meal.<br /><br />28.First impression is often the best impression. So create a positive, good impression within the first few minutes of the interview.<br /><br /><span style="font-weight: bold;">ENTRY: </span><br /><br />29.Arrive 20-30 minutes early. Prepare a route map and arrive well in time. This will give you enough time to relax <br /><br />30.While waiting for your turn in the waiting area, read a newspaper or a magazine and try to remain focused without thinking too much of what will happen in the interview. Try not to presuppose situations.<br /><br />31.Do not get nervous when you are waiting for your turn for the Personality Test. When waiting for your turn, try relaxing with closed eyes and practice deep breathing. It really relaxes you. Do not try to pre-suppose situations in the Personality Test.<br /><br />32.Take a final, deep breath before entering the boardroom. <br /><br />33.Do not forget to knock at the door before entering, as it indicates basic courtesy. <br /><br />34.On entering the room, greet all the members cordially and do not sit down on the seat without being asked to. <br /><br />35.If there is a lady member in the interview board, greet her first. <br /><br />36.Be conscious of your body language when you are seated. <br /><br />37.Men should keep the feet flat on the floor during the interview, knees at waist level, and hands on your thighs and place your elbows on the armchair. Avoid locking hands.<br /><br />38.Women, cross your ankles or legs, but keep the bottom leg straight down and do not swing it over the top leg and keep your elbows positioned on the arms of the chair.<br /><br />39.When the Board members thank you at the end of the Personality test, do not forget to thank the members one last time and keep your body posture straight at the time of leaving the room.<br /><br />40.Remember that interview is a two-way process. <br /><br />41.Be cool. Be yourself during the Interview. <br /><br />42.Your aim should be to make the board members feel comfortable in your presence. <br /><br />43.Be truthful, transparent and Predictable. <br /><br />44.The object of the interview is to assess the suitability of the aspirant/candidate for a career in public service. <br /><br />45.Most of the questions posed in the Personality Test are opinion-based. <br /><br />46.Don’t expect any expression on the faces of board members, even if your answer is very good. <br /><br /><span style="font-weight: bold;">During Interview </span><br /><br />47.In a personality test, what is of importance is how you say what you say. It is the style of presentation that matters. <br /><br />48.Your personality is, on an average, assessed in 25-30 minutes, it is your responsibility to bring out your very best in front of the board.<br /><br />49.Be attentive and listen to each question carefully. Try not to jump into an answer before the complete question has been posed as you will end up wasting time on answering a question that you were not actually asked. If you are not sure of what was asked, you can always politely seek a clarification.<br /><br />50.Do not try to answer the question as soon as it is posed. Think over the question, take your time and organize the broad outline of the answer before airing it. Pause a while before answering, even if you know the answer.<br /><br />51.At times, you will be given situations wherein you will be required to take a decision. In such situations, the board is testing your ability to comprehend issues and use reason and good judgment logically, precisely and arrive at a balanced decision.<br /><br />52.Your replies should be crisp and to the point. Do not beat around the bush. <br /><br />53.Maintain a gentle smile off and on during the Personality Test without overdoing it. It displays a sense of ease and confidence. Wherever possible use your sense of humour judiciously.<br /><br /><span style="font-weight: bold;">General Do’s and Don’ts for the personality test: </span><br /><br />54.The board members are usually very senior and learned people, so give utmost respect to the board. <br /><br />55.Don’t go by any stories/rumours spread by others. Avoid unnecessary details. <br /><br />56.Don’t ask the previous candidate about his/her interview. <br /><br />57.The board has no biases towards anyone. <br /><br />58.Never make any sweeping statements/generalized descriptions. <br /><br />59.Accept your mistakes boldly. <br /><br />60.Speak honestly, truthfully and modestly. <br /><br />61.Do not give a hasty reply. <br /><br />62.Answer in an orderly and logical fashion and always maintain eye contact with the Board members while answering. <br /><br />63.Be polite and courteous. <br /><br />64.Don’t try to be too argumentative. <br /><br />65.Be consistent in your views. Don’t change your views just because the Board differs in its opinion from your opinion. <br /><br />66.Never make an attempt to present a made-up appearance or politically correct answers. <br /><br />67.If you are taking an extreme view, you should also be able to justify the same. <br /><br />68.Take tea or coffee, if any member offers the same to you. This will show you are relaxed and it will also help in lightening and relaxing further proceedings and give them an informal touch.<br /><br />69.Avoid chewing gums and other munching items as it gives a negative and a careless image. <br /><br />70.Try holding mock interviews in front of a mirror. Look out for unwarranted actions/emotions and try to rectify any shortcomings. If possible record your own answers and play them again for finding out errors.<br /><br />71.Don’t criticize any government policies or even individuals. <br /><br />72.Take a good night’s sleep. A good, sound sleep will keep you refreshed, cheerful and relaxed. Otherwise you will have a fuzzy head and you will betray a confused personality. You will neither be able to grasp questions correctly, nor be able to think clearly.<br /><br />73.Do not speak rapidly. Speak slowly and clearly so that the Board members grasp what you are saying and do not have to interrupt you or ask you to repeat your views.<br /><br />74.The Board will check you for certain traits – such as honest and integrity, logical exposition, balance of opinion, leadership skills, mental alertness, variety and depth of interest, social cohesion, moral integrity, acumen, your response to a peculiar situation, your views on varied topics.<br /><br />75.At times, the Board members might pile pressure upon you. Do not panic – it is a strategy aimed at gauging the point till which you can maintain your cool under pressure and can think originally even in pressure cooker situations. Try to resemble tealeaves – show your true colours when in hot waters.<br /><br />76.Form your views on a subjects in a logical and rational manner supported by data whenever necessary. <br /><br />77.To be in touch with the latest happenings/events – nationally and internationally, candidates should read magazines and newspapers (at least two for interview), watch current affairs-based television programmes.<br /><br />78.Assume that all questions are asked with a good reason and answer them accordingly. <br /><br />79.Keep a file/folder to keep your certificates and documents in an organized manner. They are verified before you enter the interview room. (You don’t have to carry file/folder inside board room)Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-41320850695937831272009-11-25T02:04:00.001-08:002009-11-25T02:04:54.982-08:00Tips for Writting Essay1.One is required to write an essay for three hours duration. This length of duration is enough. There is no standard word limit for writing an essay.<br /><br />2.Remember to divide an essay into three parts – (i) Introduction (ii) Main body and (iii) Conclusion. <br /><br />3.The choice of topic on which the essay is to be written after careful thought. While selecting a topic, the knowledge base of the topic – i.e how much you know about the subject is of crucial importance. If you have data or statistics at your fingertips to back some statements, all the more better.<br /><br />4.The introduction is of crucial importance. Remember – well begun is half done. This applies to an essay all the more. One could begin with a saying or a quotation. Quotations make the essay interesting to read.<br /><br />5.If you cannot mentally arrange the points to be covered in the essay, jot down the points on a rough sheet of paper. Try to expand one point in its entirety in one paragraph and then move on to the next point. Do not keep returning back to one point after you have started another point. It makes the essay repetitive and boring to read. If possible, try to maintain a link between the points by a connecting sentence at the end of the paragraph covering a given point.<br /><br />6.Keep your sentences short. Longer sentences not only lead to complex sentences, but also point to complexity in thought process. Use minimum number of conjunctions. Finish off a sentence as quickly as possible and start a new sentence.<br /><br />7.In an essay, try to point out the problem areas and also suggest solutions to solve them. <br /><br />8.Conclusion is as important as an introduction. It gives an insight into your analyzing powers. Try to give a brief overview in the form of a gist of the essay in the conclusionLive Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-86032619060116351372009-11-25T02:02:00.002-08:002009-11-25T02:04:15.939-08:00Tips for Mains1.INSTRUCTIONS GIVEN AT THE BEGINNING OF THE QUESTION PAPERS SHOULD BE READ CAREFULLY.<br /><br />2.Preparations for Mains examination should be done intensively.<br /><br />3.It always helps if the choice of the optionals for the Prelims examination is one of the subjects chosen for the Mains.<br /><br />4.After analysis/taking the decision on the options, one should sort out the Main question papers according to the syllabus topics of the Mains examination. If one analyses these questions, after sometime the questions are repeated in one form or the other. This will give you time to prepare a standard answer to the question papers of the previous years. This will also make your task easy at the Mains examination.<br /><br />5.Questions asked are of the Masters level examination. Sometimes the questions are ‘conceptual’ in nature, aimed at testing the comprehension levels of the basic concepts. So, if you don’t have a basic grounding in the basic concepts, it would be advisable to start from simple books.<br /><br />6.The right choice of reading material is important and crucial. You should not read all types of books as told by others. Get a list of standard textbooks from the successful candidates, or other sources and also select proper notes for studying.<br /><br />7.One should always target for Mains even while preparing for Preliminary examination. This is because there is much in common ground for study and there is little time for preparation for the Main examination after the results of the Prelims examination are announced.<br /><br />8.While studying for the optional subjects, keep in mind that there is no scope for selective studies in CSE. The whole syllabus must be completely and thoroughly covered. Equal stress and weightage should be given to both the optionals. Remember – in the ultimate analysis both subjects carry exactly the same amount of maximum marks.<br /><br />9.For subjects like Mathematics and Statistics and Geography maps etc, practice is very important. One should also practice other subjects and should not treat the same examination, as an “experience gathering” exercise to get a chance for writing mains is a great thing, which one may not get again. Hence, you should go through the unsolved papers of the previous papers and solve them to stimulate the atmosphere of the examination. Stick to the time frame (roughly 1 minute for 2 marks. Speed is the very essence of this examination. Hence, time management assumes crucial importance.<br /><br />10.Writing skills (packaging) matter a lot in the Civil Services. Most of the candidates appearing for the Mains examination have a lot of knowledge, but lack writing skills. They are not able to present all the information/knowledge in a coherent and logical manner, as expected by the examiner. It is not only what you write, that is important, but also how you write what you write.<br /><br />11.For developing the writing skills, one should keep writing model answers while preparing for the Mains examination. This would help the candidate to “get into the groove” of writing under time pressure in the Mains examination. The attitude should never be “I will directly write in the examination”.<br /><br />12.Develop and follow your own style of writing. Try not to be repetitive and maintain a flow in the style of your writing. Never try to imitate others in the style of writing.<br /><br />13.Sequential and systematic style of answering comes after a lot of practice and analysis of standard answers. Try to stimulate the actual examination hours to judge your performance and to plug any loopholes.<br /><br />14.Strictly adhere to the word limit as prescribed at the end of the question to the extent possible. Try not to exceed the word limit, as far as possible. Sticking to the word limit that will save time. Besides, the number of marks you achieve are not going to increase even if you exceed the word limit.<br /><br />15.Revision of subjects is very important because “anything you could not revise prior to the examination is as good as not having prepared at all”. The reason is that you have been preparing for months or years together. It is a human tendency to forget something after some time. Hence, revision is a must.<br /><br />16.Write it legibly as it will simplify the evaluator’s task and he can read the answers easily.<br /><br />17.Highlight/underline the important points, which you feel, are important.<br /><br />18.If the write up is in essay form, write in paragraphs. A new point should start with a new paragraph.<br /><br />19.If the question needs answer in point form, give it a bullet format.<br /><br />20.Keep sufficient space between two lines.<br /><br />21.Try to maintain uniformity in your write-ups throughout the paper. Some students write well in the initial papers. Under time pressure, the script goes from bad to worse in the later stages of the answer sheets and gets bad treatment. This may irritate the evaluator.<br /><br />22.Don’t count words after every answer. If you have practiced well, you can count “how many words do you write in a line and how many lines in a single page and the total words per question”.<br /><br />23.Give space and divide it by a dividing line between two questions.<br /><br />24.One should target 1200-1250/2000 marks in the Mains. The main cut off also varies from year to year.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-52838324312766190592009-11-25T02:02:00.001-08:002009-11-25T02:02:51.060-08:00Tips for General Studies1.Read newspapers and magazines carefully, which will expand your knowledge base and give good command and writing skill. <br /><br />2.Preparation for General studies should be done hand in hand while preparing for optional papers. <br /><br />3.NCERT books should be studied carefully and newspapers like The Hindu and magazines such as Frontline. <br /><br />4.Trend nowadays has shifted more towards current issues, hence a thorough awareness of recent events/happenings is mandatory. <br /><br />5.In the Prelims, though the General Studies carries only 150 marks, all the candidates are required to solve the same questions, hence, this paper assumes enormous importance, as anyone spoiling this paper cannot have any chance of qualifying for the Mains stage of the examination.<br /><br />6.Other than the syllabus given, questions on planning, budgeting, developmental programmes, latest issues of political and constitutional importance, Panchayati Raj, electoral reforms, natural resources, culture, growth of nationalism, committees, commissions etc can be expected almost every year.<br /><br />7.Emphasis is normally placed on the general aspects of the subjects, which every educated person aspiring to join the civil services is expected to know.<br /><br />8.The General Studies paper needs special and thorough preparations and does not need to be over-emphasised. <br /><br />9.In General Studies, other than current affairs, each and every aspect is covered in our school syllabi. Whatever one has studied upto Class XII is only asked in General Studies. The only thing which is different is that it has an application but the basic is from our school textbook only. A good, bright student who understood the basic concepts during his/her school studies will definitely be strong in General Studies too.<br /><br />10.Those who would like to appear for Civil Services should have a strong base, which will make them easy to follow the subjects.<br /><br />11.Exhaustive study of each subject and every aspect of the General Studies is essential. <br /><br />12.An important point is efficient time management and proper planning. The time available with the candidates for preparations is limited and hence has to be intelligently utilized.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-82999734290801322982009-11-25T02:00:00.000-08:002009-11-25T02:02:09.417-08:00Tips for Preliminary1.The choice of optional should be done with due care and caution. While knowledge in the subject is of crucial importance, interest in the subject is also an important consideration. The reason being that the interest in the subject should be enough to last a few years of preparation.<br /><br />2.The aptitude and proficiency of a particular candidate in a given subject plays an important role in arriving at a decision to select an optional subject.<br /><br />3.Since some subjects are more scoring than others, candidates opt for such subjects. But one thing should be kept in mind is one’s aptitude and interest towards subject.<br /><br />4.Don’t choose an entirely new subject in which you will have to work very hard.<br /><br />5.If the subject selected for preliminary is opted for, in the Mains examination also, it will be very useful and solves a lot of labour and time. The preparations done for the Preliminaries would assist the candidates in getting a good grasp over the subject; otherwise the effort put in would go waste after the Prelims.<br /><br />6.Books for Preliminary examination are available in plenty in common for popular subjects, but in case of specialized optional like Agriculture, Engineering, Mathematics etc one has to look carefully for good books which cover all parts of the syllabus.<br /><br />7.One should select standard, prescribed books for the preparation.<br /><br />8.A detailed study of good textbooks and whole syllabus only give good input and a decent chance to answer maximum questions to score high. It is better to consult various books on different aspects, as it is very rare that one single book covers the entire syllabus in its totality.<br /><br />9.After reading/understanding the basic concepts, it is desirable to have sufficient or a good question bank on the subject concerned may assist the students a great deal.<br /><br />10.Questions asked in the Preliminary examination for previous 10 years are available in the market. As a first step, one should sort out the questions of the optional, according to the syllabus topics. This will give an insight into the nature of questions, important areas, and twists in the questions etc. Once the basic strategy is formed, it will be easier to study the subjects according to the nature of questions asked in UPSC.<br /><br />11.The optional subject should be studied extensively (Optional: General Studies= 75:25).<br /><br />12.A four-month exclusive preparation for Preliminary examination is a must.<br /><br />13.For the optional subject, the whole syllabus should be thoroughly studied and should be revised and mastered. (Remember no topic in optional should be left as optional) :One question carries 2.5 marks.<br /><br />14.One should aim at scoring 95-110/120 (optional subject), 95-105/150 (General Studies). (Score varies per subject & per category).<br /><br />15.Optional subjects carry more marks (total of 300) as compared to General Studies (150). The area/syllabus of the optional subject is also limited. Though there is a prescribed syllabus, there is no limit. It is vast.<br /><br />16.As the question paper is objective in nature, it would not be advisable to confine the studies only to the multiple choice objective type questions. Practice with question banks available in the market.<br /><br />17.One should read the entire syllabus by covering each and every aspect. This provides a candidate with loads of self-confidence and knowledge to answer the questions correctly.<br /><br />18.This practice would perfect the art of answering the questions correctly and rapidly. This will also help the candidates to properly understand the questions asked in various forms.<br /><br />19.A candidate doing well in the optional paper is expected to fare well in the examination.<br /><br />20.Practice of correctly marking the answer sheets by using minimum possible time will go a long way in helping you succeed. It helps to assess one’s progress in that particular subject.<br /><br />21.As the questions in the Preliminary examination are objective in nature, intelligent guesswork may be used to answer questions when you don’t know the precise answer. While solving the paper you may take three rounds. In the first round solve the easy questions. In the second round may be taken up statement and reason. The third round can have the tough questions where the intelligent guesswork may be applied. If you don’t even know some questions, you should answer the same code to all. Mark “A” or “B” or “C” or “D” to all blank where you don’t have any clue at all.<br /><br />22.Importance of General Studies also cannot be undermined.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-44839471538161820852009-11-25T01:59:00.000-08:002009-11-25T02:00:43.640-08:00General Tips1. Be very particular about the subject you choose for prelims, as you will be appearing for an objective type of paper. History, maths, geography may prove to be very scoring. Choose subjects which have availability of books, reading material and guidance. In recent years engineering subjects like civil and electrical can be chosen, giving BEs and IITians an edge (yes! even here they are giving the BAs and BScs a tough fight!)<br /><br />2. G.K. will definitely pay in your prelims. Reading newspapers, watching TV news and of course quiz shows like KBC is a must.<br /> <br />3. If you have been lucky enough to reach the interview stage book knowledge may not be the only thing you need. Your mental alertness will count as they ask you questions like “How many steps did you walk up to reach here?” or “ What is the colour of the wall behind you ?” - So be prepared.<br /> <br />4. Enhance your personality because it will definitely be one of the criteria for selection. For IPS physical wellbeing is of great importance, you should be medically fit.<br /><br />5. Improve your communication skills. IFS aspirants must be proficient in at least one foreign language. So go ahead, have your say in this political mess of our country and try to make it a better place.<br /><br />IAS Papers : Five Tips On Studying For Exams<br /><br />Five tips on how to study for tests so you can improve your performance on them:<br />1. Take frequent short breaks.<br /><br />It’s been shown that your memory will remember more at the beginning and at the end of your study sessions than it will in the middle of those sections. Therefore, it makes sense to keep your study periods to a short time frame, say 20-30 minutes at most, take a 5-minute break, then come back and study another 20-30 minutes. This way, your mind will be sharper and you’ll be more focused on what you’re studying.<br /><br />2. Space out your studying so that your long-term memory retains it.<br />Another reason to not wait until the night before the exam to study is because the information will stay in your long-term memory. If you wait until the night before the exam, the information will only be in your short-term memory, where it is more likely to be forgotten.<br /><br />3. Don’t try to memorize everything; make sure you understand the material well.<br />Understanding the material is key to doing well on college exams because often these exams will ask you to demonstrate your understanding of that material by applying it to a situation. Your study material may have presented a sample case for you to help you prepare, but if you didn’t understand the process of how you came to the right answer, chances are, you won’t be able to demonstrate the ability to answer the question on the exam, which will likely lead you to doing poorly on the exam.<br /><br />4. Listen to relaxing music to ease the boredom of studying.<br />Listening to relaxing music like classical or jazz can help to relieve some of the boredom of studying. Sitting for extended periods of time, even with short breaks, can cause the mind to dull a bit over time; playing relaxing music can help to revitalize yourself to refocus on the material and study it better.<br /><br />5. Don’t study later than the time you usually go to sleep.<br />It is suggested that you don’t stay up past the time you usually go to sleep, as you may be tempted to fall asleep, being that your body is used to going to sleep at a certain time. That is why studying in the afternoon or early evening would be better. If you are a morning person, wake up at your usual time or even a bit earlier and study then, rather than staying up past your bedtime to study.<br />This is another reason why you shouldn’t wait until the night before the exam to do all of your studying, as you will likely need a few hours to study in order to cover all the material if you haven’t been studying it throughout the course.<br /><br />TIPS FOR SUCCESS IN CSE<br /><br />With the number of vacancies dwindling each year and the competition getting tougher, with the number of aspirants increasing each year, one must consider all the pros and cons before jumping into the fray. One should preferably have an alternative job, which gives one the confidence and makes a wholehearted effort possible.<br /><br />Selection of Subject: <br /><br />The first and foremost thing to decide while aspiring for Civil Services is the judicious choice of subjects for the Preliminary and the Mains examinations. The selection of subjects should be done most carefully, if it goes wrong, everything will go wrong.<br />Normally students have the advantage of selecting one of the optionals, which they are familiar with, or have at least studied till graduate level. If you are not comfortable with the subject, you should not select the subject as an optional.<br /><br />Example: One who studied Medicine in his/her graduation may have to refer many books for one topic. On such occasions it is better to take a subject of one's interest.<br /><br />The aspirants should opt for a subject of their interest - technical subjects like engineering, medicine, veterinary sciences. Students from science background may find it difficult to understanding economics and vice-versa. Agriculture or Veterinary Sciences will be opted by the students who have studied it at their college level. Hence, the competition is among the people who have opted for the same subject. One should top in his/her subject to succeed in the examination.<br />One should analyse the syllabus of previous years and the question papers. The comfort levels with the subject opted for and the past trends should be analysed. While going through the questions of previous years, one can judge himself/herself about the knowledge base and comfort level with the subject. After a detailed analysis one should decide the subject for the first optional. One can get some feedback/advice from seniors and fellow students who are well versed in the subject. To avoid confusion at advanced stages of the examination, one should have some consultation with experienced/senior colleagues. They can guide you better than any coaching class.<br /><br />Preparation: <br /><br />Preparation for General studies can be done hand in hand, along with the preparation for optional papers. Good mix of study hours for General Studies and the Optionals makes studies enjoyable and it becomes easy to sustain the momentum for longer hours, without boredom setting in and without losing interest and enthusiasm. The most important aspect for the preparation for GS (Prelims) is to identify the loopholes and plug them urgently. But remember one thing; never sacrifice the time of optional for General Studies. Because each question in optional carries 2.5 marks and in total it carries 300 marks. More importantly, input-output ratio in optional is much better than that in General Studies.<br />Always go in for a planned and systematic study. Work out your own study schedules in a manner suited to your style and stick to it.<br />One should read a leading daily regularly and also a magazine that will give an insight into the writing skills and observe how facts are presented clearly and succinctly. Also watch news & current affairs programmes on a good TV channel. The latest trend has been a shift towards the current issues; hence a thorough awareness of recent happenings is mandatory. In-depth knowledge of such events is most important, as the questions will test the knowledge of details of any given event/happening.<br /><br />First one should cover the entire syllabus and then one month preceding the Mains, practice with the help of question papers of previous years. Sometimes students may end up studying topics, which are connected to the syllabus, but are practically irrelevant from your preparation point of view. For this, one should always keep a copy of the syllabus handy and keep referring to it time and again to reassess the direction of the preparation. One should also keep question papers of the previous years. Compare them and see what types of questions are repeated every year.<br />Try to attempt question papers of previous years and General studies papers. This will expose your weaknesses and give you an idea about the extent of your preparation, your knowledge base, your speed and accuracy.<br />General preparation can be broadly classified as long-term or short-term depending on the available time for preparation. Preparation for Mains examination should begin soon after the Prelims are over, without waiting for the result, as it involves wastage of time.<br /><br />The generally accepted strategy for CSE is that one must have studied the entire syllabus for the Mains before the Prelims or at least before the result is out. After the Prelims results are announced, all three subjects - two optionals and General Studies should be divided equally in three quarters to revise the subjects. If the subject is not revised, it is as good as not read because preparation is a continuous process. One might have covered the syllabus long back, but memory detoriates with time<br />One should read/study daily 10-12 hours per day. Some people say that used to read 18-20 hours. However, don't go by the claims of other persons who say that have studied for more than 18 hours a day. It is humanly impossible. Each person knows one's own capacity, so one should prepare the timetable accordingly and follow the same for the whole period of preparation. The execution of the timetable is of crucial importance.<br /><br />One should be dedicated and have faith in one's own capabilities and in the Almighty. Do not get depressed if you are unable to achieve the targets. Remember, it is your preparation; you are the one who will appear in the examination. You know yourself better than anyone else. Quality of hours put in is more important than quantity of hours. Your time and energies should be used in an efficient and effective manner.<br /><br />During the entire period of the examination, take a light diet. One should maintain good health during the preparation and also maintain a hobby, which relaxes you during your preparation. Take adequate amount of sleep, as both - body and mind require it. It is always better to study when the body and mind are fresh. This helps in easy grasping of things as well as in retaining them.<br />To save time during revision, aspirants may mark/highlight important points during their first or second reading. The aim of the first reading is to reduce the study material to half by eliminating unnecessary points. The second reading is to make it more concise, so that you can revise the entire syllabus within two days before the examination.<br /><br />Information from any source of relevance to your goal should be welcomed, as long as it is from a standard source. Discuss with your friends, talk to them and listen to their views. This will expand your knowledge base and also expose you to different views. (But while discussing be careful and don't waste time on unnecessary details). You should have a guided discussion. It is important to peak at the time of the examination. So, channelise your preparations in such a manner that you don't burn yourself out before the examination commences.<br />Those who still have two-three years of time left for becoming eligible to appear for Civil Services must begin the preparation for the examination in the right earnest - right now.<br />Once you decide that you wish to be a civil servant, as your career has to follow certain steps to be abreast with the latest trends and be ready in the first attempt itself.<br /><br />If you are schooling: <br /><br />1.Read your school textbooks thoroughly. This is the building block of your general knowledge base. <br />2.Read one national newspaper regularly. <br />3.Watch one TV news regularly. <br />4.Follow discussions/debates on one TV channel regularly. <br />5.Read one national news magazine. <br />6.If possible, read one competitive examination magazine also. <br />7.Discuss news items with family members and friends that will confidence and different points of view. <br />8.Be alert to learn new things. <br />9.Keep an open mind to learn what is happening around you.<br /><br />At college stage: <br /><br />1.If you decide to make civil services a career at college stage, try to follow these things: <br />2.Learn your subject thoroughly. <br />3.Read NCERT books very carefully as they are little encyclopedias and also comprehend them carefully. <br />4.Study India yearbook published by Publication Division, Ministry of I&B. This will give you the base and a bird's eye view about India.<br />5.Read one national newspaper and a magazine thoroughly. <br />6.Watch TV news (one prime time bulletin which covers major national and international news every day). TV channels give an overall news/views scenario on their prime time slots.<br />7.Listening to morning news bulletins/analysis of All India Radio is a must. They provide invaluable background information and a balanced opinion on major issues. Evening news bulletins of AIR give an overview of the prominent news stories of the day.<br />8.Follow one competitive examination magazine regularly. That will give you the latest trends about civil services and other competitive examinations and also give you important information in capsule form.<br />9.Discussions on current affairs on standard TV channel should be followed by a student to learn "how the arguments take place and how arguments are built up".<br />10.Discuss things/news items with your friends and family members that will give confidence of taking a stand against any issue.<br />11.Once you enter 3rd year of your preparation, you can go through the question papers of the previous years of CSE. Students in the first year also can go through these papers, but it would be difficult for a person to understand all the questions because he/she might have not studied the entire syllabi.<br />12.Normally four questions from the syllabus are asked which are of PG level if the subject is from the Arts or Science stream. So one should go through the syllabus first, then decide about taking the questions for the test.<br />13.In the first step itself, if you take the question paper and if you don't know most of the questions, it will deject you. There is nothing to get dejected at this stage.<br />14.If you complete your one optional at the college level itself, it will be easy for you to crack the Civil Services in the first attempt itself. If you clear the exam before the age of 23 that will make you eligible to become Secretary to Government of India/ Chief Secretary of a State - and even go up to the rank of Cabinet Secretary.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-90739883090678795992009-11-25T01:55:00.000-08:002009-11-25T01:57:28.358-08:00IAS Books<span style="font-weight: bold;">Mostly Suggested books for History Exam </span><br /><br />1. What is History E.H. Carr<br />2. Historian’s Craft Marc Block<br />3. The Past and the present Lawrence Stone<br /><br /><span style="font-weight: bold;">Ancient India: </span><br /><br />1. Ancient India (NCERT) Prof. R.S. Sharma<br />2. The Wonder That was India A.L. Basham<br />3. Ancient India - An Introductory Outline D.N. Jha<br />4. History of India, Vol. I Romila Thapar<br />5. Aspects of Political Ideas and Institutions in Ancient India R.S. Sharma (only Conclusion)<br />6. Material culture & Social Formation in Ancient India R.S. Sharma<br />7. Indian Feudalism R.S. Sharma<br />8. Ashoka & Decline of the Maurya Romila Thapar<br />9. A History of South India K.A. Nilkantha Sastri<br />10. Ancient India and Indian Archaeology Archaeological Survey of India<br /><br /><span style="font-weight: bold;">Medieval India: </span><br /><br />1. Medieval India (NCERT) Satish Chandra<br />2. Medieval India (Macmillan) Satish Chandra<br />3.The Wonder That was India (Vol.2) S.A.A. Rizvi<br />4.The Agrarian System of Mughal India 1556-1707 Irfan Habib<br />5.The Mughal Empire J.F. Richards<br />6.Urban Dynamics H.C. Verma<br />7.The Marathas Gordon<br /><br /><span style="font-weight: bold;">Modern India: </span><br /><br />1.Modern India (NCERT) Bipan Chandra<br />2.Modern India (Macmillan) Sumit Sarkar<br />3.Anatomy of the Raj (PPH) Suhash Chakravarty<br />4.The Raj Syndrome (Penguins) Suhash Chakravarty<br />5.VAID’s Fundamentals of History Series<br />a.Administrative History Pravin Kumar<br />b.Constitutional History Pravin Kumar<br />c.Social History Pravin Kumar<br />d.Freedom Struggle Pravin Kumar<br />6.Peasant Movements in India D.N. Dhanagare<br />7.India’s Struggle for Independence Bipan Chandra and others<br />8.Gandhi B.R. Nanda<br />9.Gandhi Judith Brown<br />10. Freedom Struggle (NbT) Bipan Chandra & others<br /><br /><span style="font-weight: bold;">World History: </span><br />1.The story of Civilization, Vol. 2 (NCERT) Arjun Dev<br />2.Contemporary World History (NCERT) Arjun Dev & others<br />3.The Mainstream of Civilization Strayer, Gatzke & Harbison<br />4.Western Civilizations Burns & others<br />5.Industry & Empire E.J. Hobsbawm<br />6.Age of Revolution E.J. Hobsbawm<br />7.Age of Capital E.J. Hobsbawm<br />8.Age of Empires E.J. Hobsbawm<br />9.Social basis of Democracy & Dictatorship B.J. Moore<br />10.Europe Since Napoleon David Thompson<br />11.Europe Since 1815 W.C. Craig<br />12.Europe Since 1870 James Joll.<br /><br /><span style="font-weight: bold;">Suggested books for Geography Exam </span><br /><br /><span style="font-weight: bold;">Books for Geography Preliminary Exam : </span><br />1. 6th to 12th NCERT Books for Geography.<br />2. Certificate of Physical Geography - Goh Cheng Leong.<br />3. Physical Geography -Savindra Singh<br />4.Physical Geography - Made simple series - Rupa Publications<br />5. Economic & Commercial Geography - Made Simple Series - Rupa Publications.<br />6. Human and Economic Geography - Leong & Norgan<br />7. Human Geography - Majid Hussain.<br />8. Geographical thoughts - Majid Hussain.<br />9. Field Work - 11 th NCERT.<br />10. Cartography - R.L. Singh<br />11. Geography of India - Gopal Singh<br />12. Economic & Commercial Geography of India - C.B. Memoria<br />13. Orient longman - Atlas.<br />14. TTK - Atlas<br />15. Dictionary of Geography - Penguin<br />16. Spectrum guide for Geography.<br />17. Siddhartha - Preliminary Question Bank.<br />18. Geography Guide - Narmadeshwar Prasad.<br /><br /><span style="font-weight: bold;">Books for Geography Main Exam : For Paper - I </span><br /><br />* Physical geography - Savinder Singh<br />* The Earth’s dynamic surface - K. Sidhartha<br />* Physical geography - Strahler & Strahler<br />* Climatology - D.S. Lal<br />* Physical geography made simple - Rupa<br />* Oceanography - Sharma & Vital<br />* Biogeography - Savinder Singh<br />* Evolution of geographical thoughts - Majid Hussain and Adhikari<br />* Economic geography - K. Sidhartha<br />* Economic and social geography made simple - Rupa<br />* Urban geography - K. Sidhartha<br />* Human geography - Majid Hussain<br />* Geography of population - R.C. Chandra<br />* Regional Planning in India - hand & Puri<br />* Political geography - Dixit<br /><br /><span style="font-weight: bold;">For Paper - II </span><br /><br />* Physical environment - NCERT<br />* NCERT Class XII<br />* India: Physical aspects - K Sidhartha<br />* Geography of India - Mamoria<br />* Agricultural geography - Majid Hussain<br />* Agricultural problems in India - Sadhu and Singh<br />* Economic & Commercial geography of India - Mamoria<br />* India’s urbanisation and urban systems - R. Ramachandran<br />* Regional planning in India - Chand and Puri<br />* Political geography - Dixit<br />* India: political aspects - K. Sidhartha<br /><br /><span style="font-weight: bold;">Other Books :PHYSICAL GEOGRAPHY </span><br />* NCERT Vol -1<br />* Physical Geography - Bunnett<br />* Certificate physical and human geography - Goh, Cheng Leong<br />* Physical Geography made simple<br /><br /><span style="font-weight: bold;">HUMAN AND ECONOMIC GEOGRAPHY </span><br />* Human and Economic Geography - NCERT<br />* Economic Geography, Economic and Social Geography made simple<br />* Penguim masters studies on geography<br />* The Cultural Landscape - Rubeistein<br /><br /><span style="font-weight: bold;">INDIAN GEOGRAPHY </span><br />* Indian geography - Rammorthy Gopalakrishnan<br />* Physical geography of India - S.M. Mathur<br />* General geography - NCERT<br />* Mineral of India <br /><br /><span style="font-weight: bold;">NBT (Wadia) </span><br />* Resources and regional development - NCERT<br />* Catography - R.L. Singh<br />* World regional geography - Fellnan<br />* Work book - K. Siddhartha and S. Mukherjee<br />* Question Bank - Surendra Singh, 1000<br />* Geography quiz - MuthiahLive Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-45190773168430943872009-11-25T01:47:00.000-08:002009-11-25T01:48:10.926-08:00IAS Interview Questions<h3 align="left"><span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q.How can you drop a raw egg onto a concrete floor without cracking it?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;"> A.Concrete floors are very hard to crack! (UPSC Topper)</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q.If it took eight men ten hours to build a wall,how long would it take four men to build it?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A. No time at all it is already built. (UPSC 23 Rank Opted for IFS)</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q.If you had three apples and four oranges in one hand and four apples and three oranges in the other hand, what would you have?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A. Very large hands.(Good one) (UPSC 11 Rank Opted for IPS)</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. How can you lift an elephant with one hand?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A. It is not a problem, since you will never find an elephant with one hand. (UPSC Rank 14 Opted for IES)</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. How can a man go eight days without sleep?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A. No Probs , He sleeps at night. (UPSC IAS Rank 98)</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. If you throw a red stone into the blue sea what it will become?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A. It will Wet or Sink as simple as that. (UPSC IAS Rank 2)</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. What looks like half apple ?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A : The other half. (UPSC - IAS Topper )</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. What can you never eat for breakfast ?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;"> A : Dinner.</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. What happened when wheel was invented ?</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A : It caused a revolution.</span></span></h3> <h3 align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">Q. Bay of Bengal is in which state?</span></span></h3> <p align="left"> <span style="font-family:Trebuchet MS;font-size:85%;"><span style="font-weight: 400;">A : Liquid (UPSC 33Rank )</span></span></p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-57090876967471226342009-11-25T01:22:00.000-08:002009-11-25T01:27:26.537-08:00Preliminary Syllabus<a href="http://iasexams123.blogspot.com/2009/11/prelims-general-studies.html">General Studies</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-examination-agriculture.html">Agriculture</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-examination-animal.html">Animal Husbandry and Veterinary Science</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-examination-botany.html">Botany</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-examination-chemistry.html">Chemistry</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-examination-civil.html">Civil Engineering</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-commerce-and.html">Commerce and Accountancy</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-economics-syllabus.html">Economics</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-electrical-engineering.html">Electrical Engineering</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-geography-syllabus.html">Geography</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-geology-syllabus.html">Geology</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-indian-history.html">Indian History</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-law-syllabus.html">Law</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-mathematics-syllabus.html">Mathematics</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-mechanical-engineering.html">Mechanical Engineering</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-medical-science.html">Medical Science</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-philosophy-syllabus.html">Philosophy</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-physics-syllabus.html">Physics</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-political-science.html">Political Science</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-psychology-syllabus.html">Psychology</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-public-administration.html">Public Administration</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-sociology-syllabus.html">Sociology</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-statistics-syllabus.html">Statistics</a><br /><a href="http://iasexams123.blogspot.com/2009/11/preliminary-exam-zoology-syllabus.html">Zoology</a>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-51570305714347554552009-11-25T01:18:00.000-08:002009-11-25T01:39:38.903-08:00Main Exam Syllabus<a href="http://iasexams123.blogspot.com/2009/11/main-exam-general-studies-paper-i.html">General Studies Paper - I</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-general-studies-paper-ii.html">General Studies Paper - II</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-compulsary-english.html">Compulsory English</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-essay-syllabus.html">Essay</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-agriculture-syllabus.html">Agriculture</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-animal-husbandry-and.html">Animal Husbandry and Veterinary Science</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-anthropology-syllabus.html">Anthropology</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-botany-syllabus.html">Botany</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-chemistry-syllabus.html">Chemistry</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-chinese-syllabus.html">Chinese</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-civil-engineering-syllabus.html">Civil Engineering</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-commerce-and-accountancy.html">Commerce and Accountancy</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-economics-syllabus.html">Economics</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-electrical-engineering.html">Electrical Engineering</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-geography-syllabus_23.html">Geography</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-geology-syllabus.html">Geology</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-history-syllabus.html">History</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-law-syllabus.html">Law</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-management-syllabus.html">Management</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-mathematics-syllabus.html">Mathematics</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-mechanical-engineering.html">Mechanical Engineering</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-medical-science-syllabus.html">Medical Science</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-philosophy-syllabus.html">Philosophy</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-physics-syllabus.html">Physics</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-political-science-and.html">Political Science and International Relations</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-psychology-syllabus.html">Psychology</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-public-administration.html">Public Administration</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-sociology-syllabus.html">Sociology</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-statistics-syllabus.html">Statistics</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-zoology-syllabus.html">Zoology</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-indian-language-syllabus.html">Indian Language</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-arabic-syllabus.html">Arabic</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-assamese-syllabus.html">Assamese</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-bengali-syllabus.html">Bengali</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-bodo-syllabus.html">Bodo</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-dogri-syllabus.html">Dogri</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-english-syllabus.html">English</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-french-syllabus.html">French</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-german-syllabus.html">German</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-gujarati-syllabus.html">Gujarati</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-hindi-syllabus.html">Hindi</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-kannada-syllabus.html">Kannada</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-kashmiri-syllabus.html">Kashmiri</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-konkani-syllabus.html">Konkani</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-maithili-syllabus.html">Maithili</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-malayalam-syllabus.html">Malayalam</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-manipuri-syllabus.html">Manipuri</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-marathi-syllabus.html">Marathi</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-nepali-syllabus.html">Nepali</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-oriya-syllabus.html">Oriya</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-pali-syllabus.html">Pali</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-persian-syllabus.html">Persian</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-punjabi-syllabus.html">Punjabi</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-russian-syllabus.html">Russian</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-sanskrit-syllabus.html">Sanskrit</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-santali-syllabus.html">Santali</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-sindhi-syllabus.html">Sindhi</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-tamil-syllabus.html">Tamil</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-telugu-syllabus.html">Telugu</a><br /> <a href="http://iasexams123.blogspot.com/2009/11/main-exam-urdu-syllabus.html">Urdu</a>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-79248920511476054572009-11-24T02:01:00.000-08:002009-11-24T02:03:29.232-08:00Main Exam - Maithili Syllabus<div style="text-align: left;"><div style="text-align: center;"><span style="font-size:130%;"><strong>Paper - I </strong></span><br /></div><br /></div><div style="text-align: left;"> History of Maithili Language and its Literature<br /><br />(Answer to be written in Maithili)<br /></div> <p><strong> Part A</strong></p><p><strong><span style="font-weight: normal;">1. Place of Maithili in Indo-European language family.</span><br /><br /><span style="font-weight: normal;">2. Origin and development of Maithili language. (Sanskrit, Prakrit, Avhatt, Maithili)</span><br /><br /><span style="font-weight: normal;">3. Periodic division of Maithili Language. (Beginning, Middle era, Modern era)</span><br /><br /><span style="font-weight: normal;">4. Maithili and its different dialects.</span><br /><br /><span style="font-weight: normal;">5. Relationship between Maithili and other Eastern languages (Bengali, Asamese, Oriya )</span><br /><br /><span style="font-weight: normal;">6. Origin and development of Tirhuta Script.</span><br /><br /><span style="font-weight: normal;">7. Pronouns and Verbs in Maithili Language.</span><br /><br /></strong></p><strong></strong> <p align="center"><strong>Part B </strong></p> <p><strong>History of Maithili Literature </strong></p> <p>1. Background of Maithili Literature (Religious, economic, social, cultural). </p> <p>2. Periodic division of Maithili literature. </p> <p>3. Pre-Vidyapati Literature. </p> <p>4. Vidyapati and his tradition. </p> <p>5. Medieval Maithili Drama (Kirtaniya Natak, Ankia Nat, Maithili dramas written in Nepal . </p> <p>6. Maithili Folk Literature (Folk Tales, Folk Drama, Folk Stories, Folk Songs). </p> <p>7. Development of different literary forms in modern era </p> <p>(a) Prabandh-kavya </p> <p>(b) Muktak-kavya </p> <p>(c) Novel </p> <p>(d) Short Story </p> <p>(e) Drama </p> <p>(f) Essay </p> <p>(g) Criticism </p> <p>(h) Memoirs </p> <p>(i) Translation </p> <p><strong>8. </strong>Development of Maithili Magazines and Journals<br /></p><p><br /></p> <p align="center"><strong>Paper – II</strong></p><p style="text-align: left;"><strong>Answers must be written in Maithili </strong></p> <p style="text-align: left;">The paper will require first-hand reading of the prescribed texts and will test the critical ability of the candidates.<strong><br /></strong></p><p style="text-align: left;"><strong>Part-A </strong></p> <p>1. Vidyapati Geet-Shati - Publisher : Sahitya Akademi, New Delhi (Lyrics – 1 to 50) </p> <p>2. Govind Das Bhajanavali – Publisher : Maithili Acadamy, Patna (Lyrics – 1 to 25) </p> <p>3. Krishnajanm – Manbodh </p> <p>4. Mithilabhasha Ramayana – Chanda Jha (only Sunder-Kand) </p> <p>5. Rameshwar Charit Mithila Ramayan – Lal Das (only Bal-kand) </p> <p>6. Keechak-Vadh - Tantra Nath Jha. </p> <p>7. Datta-Vati – Surendra Jha ‘Suman' {only 1st and 2 nd Cantos}. </p> <p>8. Chitra-Yatri </p> <p style="text-align: left;">9. Samakaleen Maithili Kavita – Publisher : Sahitaya Akademi, New Delhi .<strong><br /></strong></p><p style="text-align: left;"><strong>Part-B </strong></p> <p>10. Varna Ratnakar - Jyotirishwar (only 2 nd Kallol) </p> <p>11. Khattar Kakak Tarang – Hari Mohan Jha </p> <p>12. Lorik–Vijaya-Manipadma </p> <p>13. Prithvi Putra – Lalit </p> <p>14. Bhaphait Chahak Jinagi – Sudhanshu ‘Shekhar' Choudhary </p> <p>15. Kriti Rajkamlak – Publisher : Maithili Acadamy, Patna (First Ten Stories only) </p> <p>16. Katha–Sangrah – Publisher : Maithili Acadamy, Patna </p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-62661849588033358952009-11-24T01:59:00.000-08:002009-11-24T02:04:57.662-08:00Main Exam - Dogri Syllabus<h2><span style="font-size:100%;">Paper-I </span></h2> <h2><span style="font-size:100%;">History of Dogri Language and Literature<br /> (Answers must be written in Dogri) <strong></strong></span></h2> <h2><span style="font-size:100%;">Section- A <strong></strong></span></h2> <p><span style="font-size:100%;"><strong>History of Dogri Language </strong></span></p> <p><span style="font-size:100%;">1. Dogri language: Origin and development through different stages. </span></p> <p><span style="font-size:100%;">2. Linguistic boundaries of Dogri and its dialects. </span></p> <p><span style="font-size:100%;">3. Characteristic features of Dogri language </span></p> <p><span style="font-size:100%;">4. Structure of Dogri Language: </span></p> <p><span style="font-size:100%;">(a) Sound Structure: </span></p> <p><span style="font-size:100%;">Segmental: Vowels and Consonants </span></p> <p><span style="font-size:100%;">Non-segmental: Length, Stress, Nasalization, Tone and Juncture. </span></p> <p><span style="font-size:100%;">(b) Morphology of Dogri: </span></p> <p><span style="font-size:100%;">(i) Inflection Categories: Gender, Number, Case, Person, Tense and Voice. </span></p> <p><span style="font-size:100%;">(ii) Word Formation: use of prefixes, infixes and suffixes. </span></p> <p><span style="font-size:100%;">(iii) Vocabulary: tatsam, tadbhav, foreign and regional. </span></p> <p><span style="font-size:100%;">(c) Sentence Structure: Major Sentence- types and their constituents, agreement and concord in Dogri syntax. </span></p> <p><span style="font-size:100%;">5. Dogri Language and Scripts: Dogre/Dogra Akkhar, Devanagari and Persian. </span></p> <h3><span style="font-size:100%;">Section B </span></h3> <h4><span style="font-size:100%;">History of Dogri literature <strong></strong></span></h4> <p><span style="font-size:100%;">1. A brief account of Pre-independence Dogri Literature: Poetry & Prose. </span></p> <p><span style="font-size:100%;">2. Development of modern Dogri Poetry and main trends in Dogri Poetry. </span></p> <p><span style="font-size:100%;">3. Development of Dogri short-story, main trends & prominent short-story writers. </span></p> <p><span style="font-size:100%;">4. Development of Dogri Novel, main trends & contribution of Dogri Novelists. </span></p> <p><span style="font-size:100%;">5. Development of Dogri Drama & contribution of prominent playwrights. </span></p> <p><span style="font-size:100%;">6. Development of Dogri Prose:- Essays, Memoirs & travelogues. </span></p> <p><span style="font-size:100%;">7. An introduction to Dogri Folk literature- Folk songs, Folk tales & Ballads.<br /></span></p><p><span style="font-size:100%;"><br /></span></p><p style="font-weight: bold;" align="center"><span style="font-size:130%;">Paper-II </span></p> <p style="text-align: left;"><span style="font-size:100%;"><strong>Textual Critisism of Dogri Literature </strong></span></p> <p style="text-align: left;"><span style="font-size:100%;">(Answers must be written in Dogri) </span></p> <p style="text-align: left;"><span style="font-size:100%;"><strong>Section-A </strong></span></p> <p><span style="font-size:100%;"><strong>Poetry </strong></span></p> <p><span style="font-size:100%;">1. Azadi Paihle Di Dogri Kavita </span></p> <p><span style="font-size:100%;">The following poets: </span></p> <p><span style="font-size:100%;">Devi Ditta, Lakkhu, Ganga Ram, Ramdhan, Hardutt, Pahari Gandhi Baba Kanshi Ram & Permanand Almast </span></p> <p><span style="font-size:100%;">2. Modern Dogri Poetry </span></p> <p><span style="font-size:100%;">Azadi Bad Di Dogri Kavita </span></p> <p><span style="font-size:100%;">The following poets: </span></p> <p><span style="font-size:100%;">Kishan Smailpuri, Tara Smailpuri, Mohan Lal Sapolia, Yash Sharma, K.S. Madhukar, Padma Sachdev, Jitendra Udhampuri, Charan Singh and Prakash Premi </span></p> <p><span style="font-size:100%;">3. Sheeraza Dogri Number 102, Ghazal Ank </span></p> <p><span style="font-size:100%;">The following poets: </span></p> <p><span style="font-size:100%;">Ram Lal Sharma, Ved Pal Deep, N.D. Jamwal, Shiv Ram Deep, Ashwini Magotra and Virendra Kesar </span></p> <p><span style="font-size:100%;">4. Sheeraza Dogri Number 147,Ghazal Ank </span></p> <p><span style="font-size:100%;">The following poets: </span></p> <p><span style="font-size:100%;">R.N.Shastri, Jitendra Udhampuri, Champa Sharma and Darshan Darshi. </span></p> <p><span style="font-size:100%;">5. Ramayan (Epic) by Shambhu Nath Sharma (upto Ayodhya Kand) </span></p> <p><span style="font-size:100%;">6. Veer Gulab (Khand Kavya) by Dinoo Bhai Pant </span></p> <p><span style="font-size:100%;"><strong></strong></span></p> <p style="text-align: left;"><span style="font-size:100%;"><strong>Section-B </strong></span></p> <p><span style="font-size:100%;"><strong>Prose </strong></span></p> <p><span style="font-size:100%;">1. Ajakani Dogri Kahani </span></p> <p><span style="font-size:100%;">The following Short Story writers: </span></p> <p><span style="font-size:100%;">Madan Mohan Sharma, Narendra Khajuria and B.P. Sathe </span></p> <p><span style="font-size:100%;">2. Ajakani Dogri Kahani Part-II </span></p> <p><span style="font-size:100%;">The following Short Story writers: </span></p> <p><span style="font-size:100%;">Ved Rahi, Narsingh Dev Jamwal, Om Goswami, Chhattrapal, Lalit Magotra, Chaman Arora and Ratan Kesar. </span></p> <p><span style="font-size:100%;">3. Khatha Kunj Bhag II </span></p> <p><span style="font-size:100%;">The following Story writers : </span></p> <p><span style="font-size:100%;">Om Vidyarthi, Champa Sharma and Krishan Sharma. </span></p> <p><span style="font-size:100%;">4. Meel Patthar (collection of short stories) by Bandhu Sharma. </span></p> <p><span style="font-size:100%;">5. Kaiddi (Novel) by Desh Bandhu Dogra Nutan </span></p> <p><span style="font-size:100%;">6. Nanga Rukkh (Novel) by O.P. Sharma Sarathi </span></p> <p><span style="font-size:100%;">7. Nayaan (Drama) by Mohan Singh<br /></span> </p> <p><span style="font-size:100%;">8. Satrang (A collection of one act plays) </span></p> <p><span style="font-size:100%;">The following playwrights: </span></p> <p><span style="font-size:100%;">Vishwa Nath Khajuria, Ram Nath Shastri, Jitendra Sharma, Lalit Magotra and Madan Mohan Sharma. </span></p> <p><span style="font-size:100%;">9. Dogri Lalit Nibandh </span></p> <p><span style="font-size:100%;">The following authors: </span></p> <p><span style="font-size:100%;">Vishwa Nath Khajuria, Narayan Mishra, Balkrishan Shastri, Shiv Nath, Shyam Lal Sharma, Lakshmi Narayan, D.C. Prashant, Ved Ghai, Kunwar Viyogi </span></p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-88101698284832975632009-11-24T01:44:00.000-08:002009-11-24T01:58:57.860-08:00Main Exam - Urdu Syllabus<div style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper - I</span><br /></div><br />Answers must be written in Urdu.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />Development of Urdu Language<br /><br />a) Development of Indo-Aryan (i) Old Indo-Aryan (ii) Middle Indo Aryan (iii) New Indo Aryan<br /><br />b) Western Hindi and its dialects Brij Bhasha Khadi Boli, Haryanavi Kannauji, Bundeli-Theories about the origin of Urdu Language<br /><br />c) Dakhani Urdu-Origin and development, its significant linguistic features.<br /><br />d) Social and Cultural roots of Urdu language-and its distinctive features.<br /><br />Script, Phonology, Morphology, Vocabulary.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />a) Genres and their development : (i) Poetry : Ghazal, Masnavi, Qasida, Marsia, Rubai, Jadid Nazm,<br /><br />(ii) Prose : Novel, Short Story, Dastan, Drama, Inshaiya, Khutoot, Biography.<br /><br />b) Significant features of : (i) Deccani, Delhi and Lucknow schools (ii) Sir Syed movement, Romantic movement, Progressive movement, Modernism.<br /><br />c) Literary Criticism and its development with reference to Hali, Shibli, Kaleemuddin Ahmad, Ehtisham Hussain, Ale-Ahmad Suroor.<br /><br />d) Essay writing (covering literary and imaginative topics)<br /><br /><div style="text-align: center;"><span style="font-weight: bold;font-size:130%;" >Paper-II</span><br /></div><br />Answers must be written in Urdu.<br /><br />This paper will require first hand reading of the texts prescribed and will be designed to test the candidate's critical ability.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />1. Mir Amman Bagho-Babar<br /><br />2. Ghalib Intikhab-e-Khutoot-e Ghalib<br /><br />3. Mohd. Husain Nairang-e-Khayal Azad<br /><br />4. Prem Chand Godan<br /><br />5. Rajendra Singh Apne Dukh Mujhe Bedi Dedo<br /><br />6. Abul Kalam Azad Ghubar-e-Khatir<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />1. Mir Intikhab-e-Kalam-e-Mir<br /><br />(Ed. Abdul Haq.)<br /><br />2. Mir Hasan Sahrul Bayan<br /><br />3. Ghalib Diwan-e-Ghalib<br /><br />4. Iqbal Bal-e-Jibrail<br /><br />5. Firaq Gul-e-Naghma<br /><br />6. Faiz Dast-e-Saba<br /><br />7. Akhtruliman Bint-e-LamhatLive Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-2518857386563835452009-11-24T01:42:00.000-08:002009-11-24T01:44:01.540-08:00Main Exam - Tamil Syllabus<div style="text-align: center;"><strong></strong><span align="right"></span><span style="font-weight: bold;font-size:130%;" >Paper-I </span></div><p>Answers must be written in Tamil.</p> <p style="font-weight: bold;">Section: A</p> <p>Part: 1 History of Tamil Language</p> <p>Major Indian Language Families-The place of Tamil among Indian languages in general and Dravidian in particular-Enumeration and Distributionof Dravidian languages.</p> <p>The language of Sangam literature-The language of medieval Tamil: Pallava period only-Historical study of Nouns, Verbs, adjectives, adverbs Tense markers and case markers in Tamil.</p> <p>Borrowing of words from other languages into Tamil-Regional and social dialects-difference between literary and spoken Tamil.</p> <p>Part: 2 History of Tamil Literature</p> <p>Tolkappiyam-Sangam Literatue-The division of Akam and puram-The secular characteristics of Sangam Literature-The development of Ethical literature-Silappadikaram and Manimekalai.</p> <p>Part: 3 Devotional literature (Alwars and Nayanmars) The bridal mysticism in Alwar hymns-Minor literary forms (Tutu, Ula, Parani, Kuravanji)</p> <p>Social factors for the development of Modern Tamil literature: Novel, Short story and New Poetry-The impact of various political ideologies on modern writings.</p> <p style="font-weight: bold;">Section:B</p> <p>Part:1 Recent trends in Tamil Studies</p> <p>Approaches to criticism: Social , psychologiocal, hostorical and moralistic-the use of criticism-the various techniques in literature: Ullurai, Iraicchi, Thonmam (Myth) Otturuvagam (allegory), Angadam (Satire), Meyppadu, Padimam(image), Kuriyeedu (Symbol), Irunmai (ambiguity)-The concep[t of comparative literature-the principle of comparative literature.</p> <p>Part: 2 Folk literature in Tamil:Ballads, Songs, proverbs and riddles-Sociological study of Tamil folklore. Uses of translation-Translation of Tamil works into other languages-Development of journalism in Tamil.</p> <p>Part: 3 Cultural Heritage of the Tamils</p> <p>Concept of Love and War-Concept of Aram-the ethical codes adopted by the ancient Tamils in their warfare-customs, beliefs, rituals, modes of worship in the five Thinais. The cultural changes as revealed in post sangam literature-cultural fusion in the medieval period (Jainism & Buddhism). The development of arts and architecture through the ages (Pallavas, later cholas, and Nayaks). The impact of various political, social, religious and cultural movements on Tamil Society. The role of mass media in the cultural change of contemporary Tamill society.</p> <p style="font-weight: bold;"><span style="font-size:130%;">Paper-II</span></p> <p>Answers must be written in Tamil.</p> <p>The paper will require first hand reading of the Text prescribed and will be designed to test the critical ability of the candidate.</p> <p style="font-weight: bold;">Section: A</p> <p>Part: 1 Ancient Literature</p> <p>(1) Kuruntokai (1-25 poems)</p> <p>(2) Purananurui (182-200 poems)</p> <p>(3) Tirukkural Porutpal : Arasiyalum Amaichiyalum (from Iraimatchi to Avaianjamai)</p> <p>Part : 2 Epic Literature</p> <p>(1) Silappadikaram: Madhurai Kandam only.</p> <p>(2) Kambaramayanam: Kumbakarunan Vadhai Padalam</p> <p>Part 3: Devotional Literature</p> <p>(1) Tiruvasagam: Neetthal Vinnappam</p> <p>(2) Tiruppavai: (Full Text)</p> <p style="font-weight: bold;">Section: B</p> <p>Modern Literature</p> <p>Part:1 Poetry</p> <p>(1) Bharathiar: Kannan Pattu</p> <p>(2) Bharathidasan: Kudumba Vilakku</p> <p>(3) Naa. Kamarasan: Karuppu Malarkal</p> <p>Prose</p> <p>(1) Mu. Varadharajanar. Aramum Arasiyalum</p> <p>(2) C N Annadurai: Ye! Thazhntha Tamilagame.</p> <p>Part : 2 Novel, Short story and Drama</p> <p>(1) Akilon: Chittirappavai</p> <p>(2) Jayakanthan: Gurupeedam</p> <p>(3) Cho: Yarukkum Vetkamillai</p> <p>Part: 3 Folk Literature</p> <p>(1) Muthuppattan Kathai Edited by Na. Vanamamalai, (Publication: Madurai Kamaraj University)</p> <p>(2) Malaiyaruvi, Edited by Ki. Va Jagannathan (Publication: Saraswathi, Mahal, Thanjavur)</p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-4363055187337162392009-11-24T01:40:00.000-08:002009-11-24T01:42:14.298-08:00Main Exam - Sindhi Syllabus<div style="text-align: center;"><strong></strong><span style="font-weight: bold;font-size:130%;" ><span align="right"></span>Paper-I </span></div><p>Answers must be written in Sindhi (Arabic or Devanagari script).</p> <p style="font-weight: bold;">Section-A</p> <p>1. (a) Origin and evolution of Sindhi language-views of different scholars.</p> <p>(b) Significant linguistic features of Sindhi language, including those pertaining to its phonology, morphology and syntax.</p> <p>(c) Major dialects of the Sindhi language.</p> <p>(d) Sindhi vocabularly-stages of its growth, including those in the pre-partition and post-partition periods.</p> <p>(e) Historical study of various Writing Systems (Scripts) of Sindhi.</p> <p>(f) Changes in the structure of Sindhi language in India, after partition, due to influence of other languages and social conditions.</p> <p style="font-weight: bold;">Section-B</p> <p>2. Sindhi literature through the ages in context of socio-cultural conditions in the respective periods :</p> <p>a. Early medieval literature upto 1350 A.D. including folk literature.</p> <p>b. Late medicval period from 1350 A.D. to 1850 A.D.</p> <p>c. Renaissance period from 1850 A.D. to 1947 A.D.</p> <p>d. Modern period from 1947 and onwards.</p> <p>(Literary genres in Modern Sindhi literature and experiments in poetry, drama, novel, short story, essay, literary criticism, biography, autobiography, memoirs, and travelogues.)</p> <p style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper-II</span></p> <p>Answers must be written in Sindhi (Arabic of Devanagari script).</p> <p>This paper will require the first-hand reading of the texts prescribed and will be designed to test the candidates’ critical ability.</p> <p style="font-weight: bold;">Section-A</p> <p>References to context and critical appreciation of the texts included in this section.</p> <p>(1) Poetry</p> <p>a. "Shah Jo Choond Shair" : ed. H.I. Sadarangani, Published by Sahitya Akademi (First 100 pages)</p> <p>b. "Sachal Jo Choond Kalam" : ed. Kalyan B. Advani Published by Sahitya Akademi (Kafis only)</p> <p>c. "Sami-a-ja Choond Sloka" : ed. B.H. Nagrani Published by Sahitya Akademi (First 100 pages)</p> <p>d. "Shair-e-Bewas" : by Kishinchand Bewas</p> <p>("Saamoondi Sipoon" portion only)</p> <p>e. "Roshan Chhanvro" : Narayan Shyam</p> <p>f. "Virhange Khanpoije Sindhi Shair jee Choond" : ed. H.I. Sadarangani Published by Sahitya Akademi</p> <p>(2) Drama</p> <p>g. "Behtareen Sindhi Natak" (One-act Plays) : Edited by M. Kamal Published by Gujarat Sindhi Academy.</p> <p>h. "Kako Kaloomal" (Full-length Play) : by Madan Jumani</p> <p style="font-weight: bold;">Section-B</p> <p>References to context and critical appreciation of the texts included in this section.</p> <p>a. ‘Pakheeara Valar Khan Vichhrya’ (Novel) : by Gobind Malhi</p> <p>b. ‘Sat Deenhan’ (Novel) : by Krishan Khatwani</p> <p>c. ‘Choond Sindhi Kahanyoon’ (Short Stories) Vol. III. : Edited by Prem Prakash, Published by Sahitya Akademi.</p> <p>d. ‘Bandhan’ (Short Stories) : Sundari Uttamchandani</p> <p>e. ‘Behtareen Sindhi Mazmoon’ (Essays) : Edited by Hiro Thakur, published by Gujarat Sindhi Akademi.</p> <p>f. ‘Sindhi Tanqeed’ (Criticism) : Edited by Harish Vaswani : Published by Sahitya Akademi.</p> <p>g. ‘Mumhinjee Hayati-a ja Sona Ropa varqa’ (Autobiography) : by Popati Hiranandani</p> <p>h. "Dr. Choithram Gidwani" (Biography) : by Vishnu Sharma</p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-12613685492543893422009-11-24T01:39:00.000-08:002009-11-24T02:06:34.142-08:00Main Exam - Santali Syllabus<p align="center"><span style="font-size:130%;"><strong>PAPER I </strong></span></p> <h4><span style="font-size:100%;">(Answers must be written in Santali)<br /> Section A </span></h4> <h3><span style="font-size:100%;">Part – I History of Santali Language. </span></h3> <p><span style="font-size:100%;">I. Main Austric Language family, population and distribution. </span></p> <p><span style="font-size:100%;">II. Grammatical structure of Santali Language. </span></p> <p><span style="font-size:100%;">III. Important character of Santali Language : Phonology, Morphology, Syntax, Semantics, Translation, Lexicography. </span></p> <p><span style="font-size:100%;">IV. Impact of other languages on Santali. </span></p> <p><span style="font-size:100%;"> V. Standardization of Santali Language. </span></p> <p><span style="font-size:100%;"><strong>Part – II </strong><strong>History of Santali Literature. </strong></span></p> <p><span style="font-size:100%;">I. Literary trends of the following four periods of History of Santali Literature </span></p> <p><span style="font-size:100%;">(a) Ancient literature before 1854. </span></p> <p><span style="font-size:100%;">(b) Missionary period : Literature between 1855 to 1889 AD. </span></p> <p><span style="font-size:100%;">(c) Medieval period: Literature between 1890 to 1946 AD. </span></p> <p><span style="font-size:100%;">(d) Modern period: Literature from 1947 AD to till date. </span></p> <p><span style="font-size:100%;">II. Writing tradition in History of Santali literature. </span></p> <h1><span style="font-size:100%;">Section B </span></h1> <p><span style="font-size:100%;"><strong></strong>Literary forms – Main characteristics, history and development of following literary forms. </span></p> <p><span style="font-size:100%;">Part – I <strong></strong>Folk Literature in Santali – folk song, folk tale, phrase, idioms, puzzles, and Kudum. </span></p> <p><span style="font-size:100%;">Part – II Modern literature in Santali </span></p> <p><span style="font-size:100%;">(a) Development of poetry and prominent poets. </span></p> <p><span style="font-size:100%;">(b) Development of prose and prominent writers. </span></p> <p><span style="font-size:100%;">(i) Novels and prominent Novelists. </span></p> <p><span style="font-size:100%;">(ii) Stories and prominent story writers. </span></p> <p><span style="font-size:100%;">(iii) Drama and prominent Dramatist. </span></p> <p><span style="font-size:100%;">(iv) Criticism and prominent critics. </span></p> <p><span style="font-size:100%;">(v) Essay, sketches, memoirs, travelogues and prominent writers. </span></p> <p><span style="font-size:100%;"><strong>Santali writers. </strong></span></p> <p><span style="font-size:100%;">Shyam Sundar Hembram, Pandit Raghunath Murmu, Barha Beshra, Sadhu Ramchand Murmu, Narayan Soren ‘Toresutam', Sarada Prasad Kisku, Raghunath Tudu, Kalipada Soren, Sakla Soren, Digambar Hansda, Aditya Mitra ‘Santali', Babulal Murmu ‘Adivasi', Jadumani Beshra, Arjun Hembram, Krishna Chandra Tudu, Rupchand Hansda, Kalendra Nath Mandi, Mahadev Hansda, Gour Chandra Murmu, Thakur Prasad Murmu, Hara Prasad Murmu, Uday Nath Majhi, Parimal Hembram, Dhirendra Nath Baske, Shyam Charan Hembram, Damayanti Beshra, T.K. Rapaj, Boyha Biswanath Tudu. </span></p> <p><span style="font-size:100%;">Part – III Cultural Heritage of Santali tradition, customs, festival and rituals (birth, marriage and death).<br /></span></p><p align="center"><span style="font-size:100%;"><strong><span style="font-size:130%;"><br /></span></strong></span></p><p align="center"><span style="font-size:100%;"><strong><span style="font-size:130%;">PAPER II<br /></span></strong></span></p><div style="text-align: left;"><span style="font-size:100%;"><strong><br />(Answers must be written in Santali) </strong></span><br /><span style="font-size:100%;"><strong> </strong><strong>Section A </strong></span></div> <p><span style="font-size:100%;">This paper will require in-depth reading of the following texts and the questions will be designed to test the candidates' critical ability. </span></p> <p><span style="font-size:100%;"><strong>Ancient Literature :<br /></strong><strong>Prose </strong></span></p> <p><span style="font-size:100%;">(a) Kherwal Bonso Dhorom Puthi – Majhi Ramdas Tudu “Rasika”. </span></p> <p><span style="font-size:100%;">(b) Mare Hapramko Reyak Katha – L. O. Scrafsrud. </span></p> <p><span style="font-size:100%;">(c) Jomsim Binti Lita – Mangal Chandra Turkulumang Soren. </span></p> <p><span style="font-size:100%;"><strong>(d) </strong>Marang Buru Binti – Kanailal Tudu. <strong></strong></span></p> <h5><span style="font-size:100%;">Poetry </span></h5> <p><span style="font-size:100%;">(a) Karam Sereng – Nunku Soren. </span></p> <p><span style="font-size:100%;">(b) Devi Dasain Sereng – Manindra Hansda. </span></p> <p><span style="font-size:100%;">(c) Horh Sereng – W.G. Archer. </span></p> <p><span style="font-size:100%;">(d) Baha Sereng – Balaram Tudu. </span></p> <p><span style="font-size:100%;">(e) Dong Sereng – Padmashri Bhagwat Murmu ‘Thakur' </span></p> <p><span style="font-size:100%;">(f) Hor Sereng – Raghunath Murmu. </span></p> <p><span style="font-size:100%;">(g) Soros Sereng – Babulal Murmu “Adivasi”. </span></p> <p><span style="font-size:100%;">(h) More Sin More Nida – Rup chand Hansda. </span></p> <p><span style="font-size:100%;">(i) Judasi Madwa Latar – Tez Narayan Murmu. </span></p> <h1><span style="font-size:100%;">Section B </span></h1> <h2><span style="font-size:100%;">Modern Literature </span></h2> <p><span style="font-size:100%;"><strong>PART I </strong> – Poetry </span></p> <p><span style="font-size:100%;">(a) Onorhen Baha Dhalwak – Paul Jujhar Soren. </span></p> <p><span style="font-size:100%;">(b) Asar Binti – Narayan Soren “Tore Sutam” </span></p> <p><span style="font-size:100%;">(c) Chand Mala – Gora Chand Tudu. </span></p> <p><span style="font-size:100%;">(d) Onto Baha Mala – Aditya Mitra « Santali ». </span></p> <p><span style="font-size:100%;">(e) Tiryo Tetang – Hari Har Hansda. </span></p> <p><span style="font-size:100%;">(f) Sisirjon Rar – Thakur Prasad Murmu. </span></p> <p><span style="font-size:100%;"><strong>PART II </strong> – Novels </span></p> <p><span style="font-size:100%;">(a) Harmawak Ato – R.Karstiars (Translator – R.R. Kisku Rapaz) </span></p> <p><span style="font-size:100%;">(b) Manu Mati – Chandra Mohan Hansda. </span></p> <p><span style="font-size:100%;">(c) Ato Orak – Doman Hansdak. </span></p> <p><span style="font-size:100%;">(d) Ojoy Gada Dhiph re – Nathenial Murmu. </span></p> <p><span style="font-size:100%;"><strong>PART III </strong> – Stories </span></p> <p><span style="font-size:100%;">(a) Jiyon Gada – Rup Chand Hansda and Jadumani Beshra. </span></p> <p><span style="font-size:100%;">(b) Mayajaal - Doman Sahu ‘Samir' and Padmashri Bhagwat Murmu ‘Thakur' </span></p> <p><span style="font-size:100%;"><strong>PART IV </strong> – Drama </span></p> <p><span style="font-size:100%;">(a) Kherwar Bir – Pandit Raghunath Murmu </span></p> <p><span style="font-size:100%;">(b) Juri Khatir – Dr. K.C. Tudu. </span></p> <p><span style="font-size:100%;">(c) Birsa Bir – Ravi Lal Tudu </span></p> <p><span style="font-size:100%;"><strong>PART V </strong> – Biography<br /></span></p><p><span style="font-size:100%;">Santal Ko Ren Mayam Gohako – Dr. Biswanath Hansda</span></p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-9850290449694090212009-11-24T01:38:00.000-08:002009-11-24T01:46:06.101-08:00Main Exam - Telugu Syllabus<div style="text-align: center;"><strong></strong><span style="font-weight: bold;font-size:130%;" >Paper-I</span><span style="font-weight: bold;"></span><br /><span style="font-weight: bold;"></span></div><span style="font-weight: bold;"></span><br />Answers must be written in Telugu.<span style="font-weight: bold;"><br /><br />Section-A </span><strong> <p align="justify">Language </p> </strong> <p align="justify">1. Place of Telugu among Dravidian languages and its antiquity-Etymological history of Telugu, Tenugu and Andhra. </p> <p align="justify">2. Major linguistic changes in phonological, morphological, grammatical and syntactical levels, from Proto-Dravidian to old Telugu and from old Telugu to Modern Telugu. </p> <p align="justify">3. Evolution of spoken Telugu when compared to classical Telugu-Formal and functional view of Telugu language. </p> <p align="justify">4. Influence of other languages and its impact on Telugu. </p> <p align="justify">5. Modernization of Telugu language. </p> <p align="justify">(a) Linguistic and literary movements and their role in modernization of Telugu. </p> <p align="justify">(b) Role of media in modernization of Telugu (Newspapers, Radio, TV etc.) </p> <p align="justify">(c) Problems of terminology and mechanisms in coining new terms in Telugu in various discourses including scientific and technical. </p> <p align="justify">6. Dialects of Telugu-Regional and social variations and problems of standardization. </p> <p align="justify">7. Syntax-Major divisions of Telugu sentences-simple, complex and compound sentences-Noun and verb predications-Processes of nominlization and relativization-Direct and indirect reporting-conversion processes. </p> <p style="text-align: left;">8. Translation-Problems of translation, cultural, social and idiomatic-Methods of translation-Approaches to translation-Literary and other kinds of translation-various uses of translation.<span style="font-weight: bold;"><br /></span></p><p style="text-align: left;"><span style="font-weight: bold;">Section-B </span></p> <strong> <p>Literature </p> </strong> <p align="justify">1. Literature in Pre-Nannaya Period-Marga and Desi poetry. </p> <p align="justify">2. Nannaya Period-Historical and literary background of Andhra Mahabharata. </p> <p align="justify">3. Saiva poets and their contribution-Dwipada, Sataka, Ragada, Udaharana. </p> <p align="justify">4. Tikkana and his place in Telugu literature. </p> <p align="justify">5. Errana and his literary works-Nachana Somana and his new approach to poetry. </p> <p align="justify">6. Srinatha and Potana-Their woks and contribution. </p> <p align="justify">7. Bhakti poets in Telugu literature-Tallapaka Annamayya, Ramadasu, Tyagayya. </p> <p align="justify">8. Evolution of prabandhas-Kavya and prabandha. </p> <p align="justify">9. Southern school of Telugu literature-Raghunatha Nayaka, Chemakura Vankatakavi and women poets-Literary forms like yakshagana, prose and padakavita. </p> <p align="justify">10. Modern Telugu Literature and literary forms-Novel, Short Story, Drama, Playlet and poetic forms. </p> <p align="justify">11. Literary Movements : Reformation, Nationalism, Neo-classicism, Romanticism and Progressive, Revolutionary movements. </p> <p align="justify">12. Digambarakavulu, Feminist and Dalit Literature. </p> <p style="text-align: left;">13. Main divisions of folk literature-Performing folk arts.<span style="font-weight: bold;"><br /></span></p><p style="text-align: center;"><span style="font-weight: bold;"><span style="font-size:130%;">Paper-II</span><br /></span></p><p style="text-align: left;"><span style="font-weight: bold;"></span>Answers must be written in Telugu. </p> <strong> </strong> <p align="justify">This paper will require first hand reading of the prescribed texts and will be designed to test the candidate's critical ability, which will be in relation to the following approaches. </p> <p align="justify">i) Aesthetic approach-Rasa, Dhwani, Vakroti and Auchitya-Formal and Structural-Imagery and Symbolism. </p> <p style="text-align: left;">ii) Sociological, Historical, Ideological, Psychological approaches.<span style="font-weight: bold;"><br /></span></p><p style="text-align: left;"><span style="font-weight: bold;">Section-A </span></p> <strong> </strong> <p align="justify">1. Nannaya-Dushyanta Charitra (Adiparva 4th Canto verses 5-109) </p> <p align="justify">2. Tikkana-Sri Krishna Rayabaramu (Udyoga parva -3rd Canto verses 1-144) </p> <p align="justify">3. Srinatha-Guna Nidhi Katha (Kasi-khandam, 4th Canto, verses 76-133) </p> <p align="justify">4. Pingali Surana-Sugatri Salinulakatha (Kalapurnodayamu 4 Canto verses, 60-142) </p> <p align="justify">5. Molla-Ramayanamu (Balakanda including avatarika) </p> <p style="text-align: left;">6. Kasula Purushothama Kavi-Andhra Nayaka Satakamu<span style="font-weight: bold;"><br /></span></p><p style="text-align: left;"><span style="font-weight: bold;">Section-B </span></p> <strong> </strong> <p align="justify">7. Gurajada Appa Rao-Animutyalu (Short stories) </p> <p align="justify">8. Viswanatha Satyanarayana-Andhra prasasti </p> <p align="justify">9. Devulapalli Krishna Sastry-Krishnapaksham (excluding Urvasi and Pravasam) </p> <p align="justify">10. Sri Sri-Maha prastanam. </p> <p align="justify">11. Jashuva-Gabbilam (Part I) </p> <p align="justify">12. C. Narayana Reddy-Karpuravasanta rayalu. </p> <p align="justify">13. Kanuparti Varalakshmamma-Sarada lekhalu (Part I) </p> <p align="justify">14. Atreya-N.G.O. </p> <p align="justify">15. Racha konda Visswanatha Sastry-Alpajaeevi. </p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-42801240079111632812009-11-24T01:36:00.000-08:002009-11-24T01:39:06.671-08:00Main Exam - Russian Syllabus<div style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper-I</span><br /></div><br />Answers must be written in Russian except in the case of question regarding translation from Russian to English.<br /><br />(Language and Culture)<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />i. Modern Russian Language :<br /><br />Phonetics, Morphology, Syntax, Lexicology, Lexicography and Semantics, linguistics<br /><br />ii. Translation from Russian into English and vice-versa.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />i. Socio-political and economical development of the Russian Federation : Patriotic war of 1812, October Revolution, Perestroika and Glasnost, disintegration of USSR. Regional & Cultural variations of the Russian Federation.<br /><br />ii. Essay on general topics.<br /><br /><div style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper-II</span><br /></div><br />Answers must be written in Russian Literature<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />Literary History and Literary Criticism<br /><br />Literary movements, Sentimentalism, Romanticism, Naturalism, Realism, Critical Realism, Socialism, Acmeism, Symbolism, Futurism; Origin and development of literary genres : Folk literature, Lyrics and poems-A.S. Pushkin, M.U. Lermontov, Alexander Blok, Esenin, V. Mayakovky, Anna Akhmatova. Epic-L.N. Tolstoy, M. Sholokhov, Short story, novelet, novels-Pushkin, Lermontov, N.V. Gogol, S. Shchedrin, I. Goncharov, I. Turgenev, F.M. Dostoevsky, L.N. Tolstoy, A.P. Chekhov, M. Gorky, M. Sholokhov, I. Bunin, E. Zamyatin, Boris Pasternak, A. Solzhenitsyn, M. Bulgakov, Chingiz Aitmatov, V. Rasputin, V. Shukshin, Criticism-Belinsky, Dobrolyubov, Chernyshevsky, Pisarev, Drama-Chekhov, Gogol. Influence of socio-political movements on literature.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />This part will require first hand reading of the texts prescribed and will be designed to test the candidates' critical ability.<br /><br />1. A.S. Pushkin Evgeny Onegin<br /><br />2. M.U. Lermontov Hero of our times<br /><br />3. N.V. Gogol Revizor<br /><br />4. I.S. Turgenev Fathers and sons<br /><br />5. F.M. Dostoevsky Crime and Punishment<br /><br />6. L.N. Tolstoy i. War and Peace<br /><br />ii. Resurrection<br /><br />7. A.P. Chekhov i. Toska<br /><br />ii. Smert Chinovnika<br /><br />iii. Chameleon<br /><br />8. A.M. Gorky Mother<br /><br />9. A. Blok The twelve<br /><br />10. B.B. i. Cloud in plants<br /><br /> Mayakovsky ii. Good<br /><br />11. M. Sholokhov Fate of a man<br /><br />12. B. Pasternak Doctor Zhivago<br /><br />13. Solzhenitsyn One day in the life of Ivan Danisovich<br /><br />14. V. Rasputin Zhivi i Pomni<br /><br />15. Chingiz Aitmatov Bely Porokhod<br /><br />16. V. Shukshin ChudikLive Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-48938538718492994562009-11-24T01:35:00.000-08:002009-11-24T01:36:48.547-08:00Main Exam - Persian Syllabus<div style="text-align: center;"><span style="font-weight: bold;font-size:130%;" >Paper-I</span><br /></div><br />There will be two questions which must be answered in Persian. The remaining questions must be answered either in Persian or in the medium of examination opted by the candidate.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />1. (a) Description of the origin and development of Persian language (to be answered in Persian).<br /><br />(b) Applied Grammar, Rhetorics, Prosody, Idioms and Phrases frequently used.<br /><br />(i) Grammar : Ism and its kinds, Zamir-e-Muttasil and Munfasil, Murakkabi-Tausifi, Murakkab-i-Izafi, Ismi-Ishara, Musharun Elaih, Fel and its kinds, Tenses, Gardan, singular and plural, Jumleh and its kinds.<br /><br />(ii) Rhetorics : Tajnees, Ishteqaq, Luzum-ma-la-yalzum, seyaqatul Aadad, Qalb, Tarsee, Esteaara, Maratun Nazir, Laff-o-Nashr, Iham, Husn-i-Taalil, Tajahuli-Aarefaneh, Talmih, Tansiqus Sifat.<br /><br />(iii) Prosody : Bahri-Muzara, Ramal, Mutaqarib, Tawil, Hazaj, Kamil.<br /><br /><span style="font-weight: bold;">Section - B</span><br /><br />1. Short essay in Persian-250 words (to be answered in Persian).<br /><br />2. History of Persian Literature in Iran and India; Literary criticism and styles; trends in classical and modern literature; socio-cultural influences, development of modern literary genres including drama, novel, short story.<br /><br /><div style="text-align: center;"><span style="font-weight: bold;font-size:130%;" >Paper-II</span><br /></div><br />There will be two compulsory questions–one each in textual portions of prose and poetry which are to be answered in Persian. The remaining questions are to be answered either in Persian or in the medium of examination opted by the candidate.<br /><br />This paper will require first hand reading of the texts prescribed and will be designed to test the candidate’s critical ability.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />Prose<br /><br />1. Nizami Aroozi Samarqandi : Chahar Maqala :<br /><br />(i) Dabiri<br /><br />(ii) Shaairi<br /><br />2. Qabus.b, Washmgir : Qabus Nama :<br /><br />(i) Dar Shinakhtan-e-Haqq-e-Pidar-wa- Madar<br /><br />(ii) Dar Bishi Justan Az Sukhandani<br /><br />(iii) Dar Talib Ilmi Wa Faqih Wa Fuqaha<br /><br />3. Sadi Shirazi : Gulistan :<br /><br />(i) Dar Tasir-e-Suhbat<br /><br />4. Moh. Awfi : Jawameul Hikayat :<br /><br />(i) First Ten Hikayaat<br /><br />5. Ziauddin Burney : Tarikh-i-Firozshahi :<br /><br />(i) Wasaya-i-Sultan Balban Be Farzand-e-Buzurg<br /><br />6. Abul Fazl Ain-e-Akbari:<br /><br />(i) Ain-Khazina-i-Abadi<br /><br />(ii) Ain-e-Shabistan-e-Iqbal<br /><br />(iii) Ain-e-Manzil Dar Yurisha<br /><br />(iv) Ain-e-Cheragh Afrozi<br /><br />7. Sadiq-i-Hedayat:<br /><br />(i) Dash Akul<br /><br />(ii) Girdab<br /><br />8. Mohd. Hijazi :<br /><br />(i) Khudkushi<br /><br />(ii) Pezeshk-e-Chashm<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />Poetry<br /><br />1. Firadausi : Shahnama :<br /><br />(i) Rustam-o-Sohrab<br /><br />2. Khayyam : Rubaaiyat (Radif Alif and Be)<br /><br />3. Saadi Shirazi : Bustan:<br /><br />‘Dar Adl-u-Tadbir-u-Rai’<br /><br />4. Amir Khusrau: Majmua-i-Diwan-e-Khusrau. (Radif Dal)<br /><br />5. Maulana Rum: Mathnawi Maanawi<br /><br />(First Half of Daftar Duwwum)<br /><br />6. Hafiz : (Radif Alif and Dal)<br /><br />7. Urfi Shirazi : Qasaaid :<br /><br />(i) Iqbal-e-Karam Migazad Arbabi-Himam Ra.<br /><br />(ii) Har Sukhta Jane Ki Ba Kashmir Dar Ayad.<br /><br />(iii) Sabah-e-Idd Ke Dar Takiyagah-e-Naz-u-Naeem.<br /><br />8. Ghalib : Ghazaaliyat (Radif Alif)<br /><br />9. Bahar Mashhadi :<br /><br />(i) Jughd-e-Jung<br /><br />(ii) Sukoot-e-Shab<br /><br />(iii) Damawandiye<br /><br />(iv) Dukhtar-e-Basra<br /><br />10. Furugh-e-Farrukhzad:<br /><br />(i) Dar Barabad-e-Khuda<br /><br />(ii) Diw-e-Shab<br /><br />11. Nimayushij :<br /><br />(i) Qu<br /><br />(ii) Khar-Kan<br /><br />Note :- Textual portions of prose and poetry are to be explained in Persian compulsorily.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-68589947622164711672009-11-24T01:18:00.003-08:002009-11-24T01:38:03.993-08:00Main Exam - Punjabi Syllabus<div style="text-align: center;"><span style="font-weight: bold;font-size:130%;" >Paper-I</span><br /></div><br />Answers must be written in Punjabi in Gurumukhi Script.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />a) Origin of Punjabi language : different stages of development and recent development in Punjabi language : characteristics of Punjabi phonology and the study of its tones: classification of vowels and consonants.<br /><br />b) Punjabi morphology : the number-gender system (animate and inanimate), prefixes, affixes and different categories of Post positions: Punjabi word formation: Tatsam. Tad Bhav, forms: Sentence structure, the notion of subject and object in Punjabi: Noun and verb phrases.<br /><br />c) Language and dialect; the notions of dialect and idiolect; major dialects of Punjabi; Pothohari, Majhi, Doabi, Malwai, Puadhi; the validity of speech variation on the basis of social stratification, the distinctive features of various dialects with special reference to tones. Language and script; origin and development of Gurmukhi; suitability of Gurmukhi for Punjabi.<br /><br />d) Classical background; Nath Jogi Sahit<br /><br />Medieval literature : Gurmat, Sufti, Kissa and Var Janamsakhis.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />a) Modern trends Mystic, romantic, progressive and neomystic (Vir Singh, Puran Singh, Mohan Singh, Amrita Pritam, Bawa Balwant, Pritam Singh Safeer, J.S. Neki).<br /><br />Experimentalist (Jasbir Singh Ahluwalia, Ravinder Ravi, Ajaib Kamal)<br /><br />Aesthetes (Harbhajan Singh, Tara Singh)<br /><br />Neo-progressive (Pash. Jagtar, Patar)<br /><br />Origin and Development of Genres :<br /><br />b) Folk literature Folk songs, Folk tales. Riddles, Proverbs.<br /><br />Epic (Vir Singh, Avtar Singh, Azad Mohan Singh)<br /><br />Lyric (Gurus, Sufis and Modern Lyricists-Mohan Singh Amrita Pritam, Shiv Kumar, Harbhajan Singh)<br /><br />c) Drama (I.C. Nanda, Harcharan Singh, Balwant Gargi, S.S.Sekhon, Charan Das Sidhu)<br /><br />Novel (Vir Singh, Nanak Singh, Jaswant Singh Kanwal, K.S. Duggal, Sukhbir, Gurdial Singh, Dalip Kaur Tiwana, Swaran Chandan)<br /><br />Short Story (Sujan Singh, K.S. Virk. Prem Parkash, Waryam Sandhu).<br /><br />d) Socio-cultural Sanskrit, Persian Literary influences : and Western.<br /><br />Essay (Puran Singh, Teja Singh, Gurbaksh Singh)<br /><br />Literary Criticism (S.S. Sekhon, Attar Singh, Kishan Singh, Harbhajan Singh, Najam Hussain Sayyad).<br /><span style="font-size:130%;"><br /></span><div style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper-II</span><br /></div><br />Answers must be written in Punjabi in Gurumukhi Script.<br /><br />This paper will require first-hand reading of the texts prescribed and will be designedto test the candidate's critical ability.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />a) Sheikh Farid The complete Bani as included in the Adi Granth.<br /><br />b) Guru Nanak Japu Ji Baramah, Asa di Var<br /><br />c) Bulleh Shah Kafian<br /><br />d) Waris Shah Heer<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />a) Shah Mohammad Jangnama (Jang Singhan te Firangian)<br /><br />Dhani Ram Chatrik (Poet) Chandan Vari<br /><br />Sufi Khana<br /><br />Nawan Jahan<br /><br />b) Nanak Singh (Novelist) Chitta Lahu<br /><br />Pavittar Papi<br /><br />Ek Mian Do Talwaran<br /><br />c) Gurbaksh Singh (Essayist) Zindagi di Ras<br /><br />Nawan Shivala<br /><br />Merian Abhul Yadaan.<br /><br />Balraj Sahni (Travelogue) Mera Roosi Safarnama<br /><br />Mera Pakistani Safarnama<br /><br />d) Balwant Gargi (Dramatist) Loha Kutt<br /><br />Dhuni-di-Agg<br /><br />Sultan Razia<br /><br />Sant Singh Sekhon (Critic) Sahityarth<br /><br />Parsidh Punjabi Kavi<br /><br />Punjabi Kav ShiromaniLive Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-66790288558413827482009-11-24T01:18:00.002-08:002009-11-24T01:35:20.494-08:00Main Exam - Pali Syllabus<div style="text-align: center;"><span style="font-weight: bold;font-size:130%;" >Paper-I</span><br /></div><br />(Pãli Language)<br /><br />N.B. All answers must be written in Pali language in Devanãgarî or Roman Script.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />1. Origin and Homeland of Pãli and its characteristics.<br /><br />2. Pãli Grammar-(I) Technical Terms of Pãli Grammar-Akkhara, Sara, Vyañjana, Niggahîta, Nãma, Sabbanãma, Ãkhyãta, Upasagga, Nipãta, Abyaya, (II) Kãraka, (III) Samãsa; (IV) Sandhi; (V) Taddhita. (Apaccabodhaka-and Ãdhikãrabo-dhaka-Paccaya); (VI) Etymological derivation of the following words :-<br /><br />Buddho, Bhikkhu, Sãmanero, Satthã, Dhammo, Latãyã, Purisãnam, Tumhe, Amhebhi, Munina, Rattîsu, Phalãya, Atthîsu, Raññam, Sangho.<br /><br />3. Translation of two Pãli unseen passages into English.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />4. Essays consisting of 300 words on any one of the following :<br /><br />(a) Bhagavã Buddho, (b) Tilakkhanam, (c) Ariyo atthañgiko maggo, (d) Cattãri ariyasaccãni, (e) Kammavãdo (f) Paticcasamuppãdo, (g) Nibbãnam paramam sukham, (h) Tipitakam, (i) Dhammapadam, (j) Majjhimã-Patipadã.<br /><br />5. Summary of Pãli passages.<br /><br />6. Explanation of Pãli verses in Pãli.<br /><br />7. The meaning of following indeclinables ( Abyaya and Nipãta ) and their use in candidates' own Pãli sentences :<br /><br />(I) Atha, (II) Antarã, (III) Addhã, (IV) Kadã, (V) Kittãvatã, (VI) Ahorattam, (VII) Divã, (VIII) Yathã, (IX) Ce, (X) Seyyathîdam, (XI) Vinã, (XII) Kudãcannam, (XIII) Saddhim, (XIV) Antarena, (XV) Kho, (XVI) Mã, (XVII) Evam, (XVIII) Ettha, (XIX) Kira, (XX) Pana.<br /><br /><div style="text-align: center;"><span style="font-size:130%;"><span style="font-weight: bold;">Paper-II</span></span><br /></div><br />(PÃli Literature)<br /><br />There will be two compulsory questions which must be answered in Pali Languege in Devanagari or Roman Script. The remaining questions must be attempted either in Pali or in the medium of examination opted by the candidate.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />(i) Life and teachings of Buddha from the Pãli sources.<br /><br />(ii) History of Pali Literature-Canonical and Non-Canonical with reference to the following books and authors:<br /><br />Mahãvagga, Cullavagga, Pãtimokkha, Dîgha-Nikãya, Dhammapada, Jãtaka, Theragãthã, Therîgãthã,Dîpavamsa, Mahãvamsa, Dãthãvamsa, Sãsanavamsa, Milindapanha, Petakopadesa, Nettippa-karana, Buddhadatta, Buddhaghosa and Dhammapãla.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />1. Textual questions, critical comments and annotated translations would be asked from the following prescribed texts :-<br /><br />(i) Dîghã-Nikãya (Only the Sãmaññaphala-Sutta)<br /><br />(ii) Sutta-nipãta (Only the Khaggavisana-Sutta and Dhaniya-Sutta )<br /><br />(iii) Dhammapada (Only the first five Vaggã-s )<br /><br />(iv) Milindapanha (Only the Lakkhana-panha )<br /><br />(v) Mahavamsa (Only the Tatiya-Sangiti )<br /><br />(vi) Abhidhammattha-sangaha (First, Second and Sixth Chapters)<br /><br />(vii) Pãli Prosody : Vuttodaya -Anutthubha, Indavajirã, Upendavajirã, Vasantatilakã, Mãlinî, Sikharinî, Upajati, totaka, Dodhaka, Vamsattha.<br /><br />(viii) Pãli Rhetoric : Subodhãlankãrã -Yamaka, Anuppãsa, Rûpaka, Upama, Atisayutti, Vyatireka, Nidassanã, Atthanta-ranyãsa, Dîpaka, Ditthanta.<br /><br />2. Short Notes on Buddhist concepts dealt within the prescribed texts.<br /><br />3. Explanation of Pãli Verses from the prescribed texts.Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-40100487100166513312009-11-24T01:18:00.001-08:002009-11-24T01:34:06.971-08:00Main Exam - Oriya Syllabus<div style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper-I</span><br /></div><br />Answers must be written in Oriya.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />History of Oriya Language<br /><br />(i) Origin and development of Oriya Language-Influence of Austric, Dravidian, Perso-Arabic and English on Oriya Language.<br /><br />(ii) Phonetics and Phonemics : Vowels, Consonants Principles of changes in Oriya sounds.<br /><br />(iii) Morphology : Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.<br /><br />(iv) Syntax : Kinds of sentences and their transformation, structure of sentences.<br /><br />(v) Semantics-Different types of change in meaning Euphemism.<br /><br />(vi) Common errors in spellings, grammatical uses and construction of sentences.<br /><br />(vii) Regional variations in Oriya Language (Western, Southern and Northern Oriya) and Dialects (Bhatri and Desia)<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />History of Oriya Literature<br /><br />(i) Historical backgrounds (social, cultural and political) of Oriya Literature of different periods.<br /><br />(ii) Ancient epics, ornate kavyas and padavalis.<br /><br />(iii) Typical structural forms of Oriya Literature (Koili, Chautisa, Poi, Chaupadi, Champu).<br /><br />(iv) Modern trends in poetry, drama short story, novel, essay and literary criticism.<br /><br /><div style="text-align: center; font-weight: bold;"><span style="font-size:130%;">Paper-II</span><br /></div><br />Answers must be written in Oriya.<br /><br />Critical Study of texts -<br /><br />The paper will require first hand reading of the text and test the critical ability of the candidate.<br /><br /><span style="font-weight: bold;">Section-A</span><br /><br />Poetry<br /><br />(Ancient)<br /><br />1. Sãralã Das-Shanti Parva from Mãhãbharãta.<br /><br />2. Jaganãth Das-Bhãgãbate, XI Skandha-Jadu Avadhuta Sambãda.<br /><br />(Medieval)<br /><br />3. Dinãkrushna Dãs-Rasakallola- (Chhãndas-16 & 34)<br /><br />4. Upendra Bhanja-Lãvanyabati (Chhãndas-1 & 2)<br /><br />(Modern)<br /><br />5. Rãdhãnãth Rãy-Chandrabhãgã<br /><br />6. Mãyãdhãr Mãnasinha-Jeevan Chitã<br /><br />7. Satchidãnanda Routray-Kabitã-1962<br /><br />8. Ramãkãnta Ratha-Saptama Ritu.<br /><br /><span style="font-weight: bold;">Section-B</span><br /><br />Drama :<br /><br />9. Manoranjan Dãs-Kãtha-Ghodã<br /><br />10. Bijay Mishra-Tata Niranjanã<br /><br />Novel :<br /><br />11. Fakir Mohan Senãpati-Chhamãna Ãthaguntha<br /><br />12. Gopinãth Mohanty-Dãnãpãni<br /><br />Short Story<br /><br />13. Surendra Mohãnty-Marãlãra Mrityu<br /><br />14. Manoj Dãs-Laxmira Abhisara<br /><br />Essay :<br /><br />15. Chittaranjan Dãs-Taranga O Tadit (First five essays).<br /><br />16. Chandra Sekhar Rath-Mun Satya-dhãrma Kahuchhi (First five essays)Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-88913501598498352642009-11-24T01:18:00.000-08:002009-11-24T01:21:37.071-08:00Main Exam - Nepali Syllabus<div style="text-align: center;"><span style="font-size:100%;"><strong></strong><span align="right"> </span> <span style="font-weight: bold;font-size:130%;" >Paper-I </span></span></div> <p><span style="font-size:100%;">Answers must be written in Nepali.</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-A</span></p> <p><span style="font-size:100%;">1. History of the origin and development of Nepali as one of the new Indo-Aryan Languages</span></p> <p><span style="font-size:100%;">2. Fundamentals of Nepali Grammar and phonology:</span></p> <p><span style="font-size:100%;">(i) Nominal forms and categories :-</span></p> <p><span style="font-size:100%;">Gender, Number, Case, Adjectives, Pronouns, Avyayas</span></p> <p><span style="font-size:100%;">(ii) Verbal forms and categories-</span></p> <p><span style="font-size:100%;">Tense, Aspects, Voice, Roots and Fixes</span></p> <p><span style="font-size:100%;">(iii) Nepali Swara and Vyanjana;</span></p> <p><span style="font-size:100%;">3. Major Dialects of Nepali</span></p> <p><span style="font-size:100%;">4. Standardisation and Modernisation of Nepali with special reference to language movements (viz. Halanta Bahiskar, Jharrovad etc.)</span></p> <p><span style="font-size:100%;">5. Teaching of Nepali language in India-Its history and development with special reference to its socio-cultural aspects.</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-B</span></p> <p><span style="font-size:100%;">1. History of Nepali literature with special reference to its development in India.</span></p> <p><span style="font-size:100%;">2. Fundamental concepts and theories of literature :</span></p> <p><span style="font-size:100%;">Kavya/Sahitya, Kavya Prayojan, Literary genres, Shabda Shakti, Rasa, Alankara, Tragedy, Comedy, Aesthetics, Stylistics.</span></p> <p><span style="font-size:100%;">3. Major literary trends and movements-</span></p> <p><span style="font-size:100%;">Swachchhandatavad, Yatharthavad, Astitwavad, Ayamik Movement, Contemporary Nepali writings, Postmodernism.</span></p> <p><span style="font-size:100%;">4. Nepali folklores (the following folk-form only)- Sawai, Jhyaurey, Selo, Sangini, Lahari.</span></p> <p style="font-weight: bold; text-align: center;"><span style="font-size:130%;">Paper-II</span></p> <p><span style="font-size:100%;">Answers must be written in Nepali.</span></p> <p><span style="font-size:100%;">This paper will require first hand reading of the texts prescribed below and questions will be designed to test the candidate’s critical acumen.</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-A</span></p> <p><span style="font-size:100%;">1. Santa Jnandil Das-Udaya Lahari</span></p> <p><span style="font-size:100%;">2. Lekhnath Poudyal-Tarun Tapasi</span></p> <p><span style="font-size:100%;">(Vishrams III, V, VI, XII, XV, XVIII only)</span></p> <p><span style="font-size:100%;">3. Agam Singh Giri-Jaleko Pratibimba : Royeko Pratidhwani (The following poems only-rasawako Chichy-ahat-sanga Byunjheko Ek Raat, Chhorolai, Jaleko Pratibimba : Royeko Prati-dhwani, Hamro Akashmani Pani Hunchha Ujyalo, Tihar).</span></p> <p><span style="font-size:100%;">4. Haribhakta Katuwal-Yo Zindagi Khai Ke Zindagi : (The following poems only - Jeevan : Ek Dristi, Yo Zindagi Khai Ke Zindagi, Akashka tara Ke Tara, Hamilai Nirdho Nasamjha, Khai Many-ata Yahan Atmahutiko Balidan Ko).</span></p> <p><span style="font-size:100%;">5. Balkrishna Sama-Prahlad</span></p> <p><span style="font-size:100%;">6. Manbahadur Mukhia-Andhyaroma Banchneharu (The following One-Act plays only-‘Andhyaroma Banchneharu’, ‘Suskera’).</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-B</span></p> <p><span style="font-size:100%;">1. Indra Sundas-Sahara</span></p> <p><span style="font-size:100%;">2. Lilbahadur Chhetri-Brahmaputrako Chheuchhau</span></p> <p><span style="font-size:100%;">3. Rupnarayan Sinha-Katha Navaratna (The following stories only-Biteka Kura, Jimmewari Kasko, Dhanamatiko Cinema-Swapna, Vidhwasta Jeevan).</span></p> <p><span style="font-size:100%;">4. Indrabahadur Rai-Vipana Katipaya (The following stories only-Raatbhari Huri Chalyo, Jayamaya Aphumatra Lekha-pani Aipugi, Bhagi, Ghosh Babu, Chhutyaiyo).</span></p> <p><span style="font-size:100%;">5. Sanu Lama-Katha Sampad (The following stories only-Swasni Manchhey, Khani Tarma Ekdin, Phurbale Gaun Chhadyo, Asinapo Manchhey).</span></p> <p><span style="font-size:100%;">6. Laxmi Prasad Devkota-Laxmi Nibandha Sangraha (The following essays only-Sri Ganeshaya Namah, Nepali Sahityako Itihasma Sarvashrestha Purus, Kalpana, Kala Ra Jeevan, Gadha Buddhiman Ki Guru?)</span></p> <p><span style="font-size:100%;">7. Ramkrishna Sharma-Das Gorkha (The following essays only-Kavi, Samaj Ra Sahitya, Sahityama Sapekshata, Sahityik Ruchiko Praudhata, Nepali Sahityako Pragati).</span></p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0tag:blogger.com,1999:blog-5132310834039578536.post-6212239430170614442009-11-24T01:11:00.000-08:002009-11-24T01:18:25.638-08:00Main Exam - Manipuri Syllabus<div style="text-align: center;"><span style="font-size:100%;"><strong></strong><span align="right"> </span> <span style="font-weight: bold;font-size:130%;" >Paper-I </span></span></div> <p><span style="font-size:100%;">Answers must be written in Manipuri.</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-A</span></p> <p><span style="font-size:100%;">Language :</span></p> <p><span style="font-size:100%;">a) General characteristics of Manipuri Language and history of its development; its importance and status among the Tibeto-Burman Languages of North-East India; recent development in the study of Manipuri language; evolution and study of old Manipuri script.</span></p> <p><span style="font-size:100%;">b) Significant features of Manipuri language :</span></p> <p><span style="font-size:100%;">i) Phonology-Phoneme-vowels, consonants juncture, tone, consonant cluster and its occurrence, syllable-its structure, pattern and types.</span></p> <p><span style="font-size:100%;">ii) Morphology : Word-class, root and its types; affix and its types; grammatical categories-gender, number, person, case, tense and aspects, process of compounding (samas and sandhi).</span></p> <p><span style="font-size:100%;">iii) Syntax : Word order : types of sentences, pharse and clause structures.</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-B</span></p> <p><span style="font-size:100%;">a) Literary History of Manipuri :</span></p> <p><span style="font-size:100%;">Early period (upto 17th century)-Social and cultural background; Themes, diction and style of the works.</span></p> <p><span style="font-size:100%;">Medieval period (18th and 19th century)- Social, religious and political background; Themes, diction and style of the works.</span></p> <p><span style="font-size:100%;">Modern period-Growth of major literary forms; change of Themes, diction and style.</span></p> <p><span style="font-size:100%;">b) Manipuri Folk Literature :</span></p> <p><span style="font-size:100%;">Legend, Folktale, Folksong, Ballad, Proverb and Riddle.</span></p> <p><span style="font-size:100%;">c) Aspects of Manipuri Culture :</span></p> <p><span style="font-size:100%;">Pre-Hindu Manipuri Faith; Advent of Hinduism and the process of syncreticism.</span></p> <p><span style="font-size:100%;">Performing arts-Lai Haraoba, Maha Ras; Indegenous games-Sagol Kangjei, Khong Kangjei, Kang.</span></p> <p style="text-align: center; font-weight: bold;"><span style="font-size:130%;">PAPER II</span></p> <p><span style="font-size:100%;">Answers must be written in Manipuri.</span></p> <p><span style="font-size:100%;">This paper will require first hand reading of the texts prescribed and will be designed to test the candidate’s critical ability to assess them.</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-A</span></p> <p><span style="font-size:100%;">Old and Medieval Manipuri Literature</span></p> <p><span style="font-size:100%;">a) Old Manipuri Literature</span></p> <p><span style="font-size:100%;">1. O. Bhogeswar Singh (Ed.) :</span></p> <p><span style="font-size:100%;">Numit Kappa</span></p> <p><span style="font-size:100%;">2. M. Gourachandra Singh (Ed.) : Thawanthaba Hiran</span></p> <p><span style="font-size:100%;">3. N. Khelchandra Singh (Ed.) : Naothingkhong Phambal Kaba</span></p> <p><span style="font-size:100%;">4. M. Chandra Singh (Ed.) :</span></p> <p><span style="font-size:100%;">Panthoibi Khonggul</span></p> <p><span style="font-size:100%;">b) Medieval Manipuri Literature :</span></p> <p><span style="font-size:100%;">1. M. Chandra Singh (Ed.) : Samsok Ngamba</span></p> <p><span style="font-size:100%;">2. R.K.Snahal Singh (Ed.) : Ramayana Adi Kanda</span></p> <p><span style="font-size:100%;">3. N. Khelchandra SIngh (Ed.) : Dhananjoy Laibu Ningba</span></p> <p><span style="font-size:100%;">4. O. Bhogeswar Singh (Ed.) : Chandrakirti Jila Changba</span></p> <p style="font-weight: bold;"><span style="font-size:100%;">Section-B</span></p> <p><span style="font-size:100%;">Modern Manipuri Literature :</span></p> <p><span style="font-size:100%;">a) Poetry and Epic :</span></p> <p><span style="font-size:100%;">(I) Poetry :</span></p> <p><span style="font-size:100%;">a) Manipuri Sheireng (Pub) Manipuri Sahitya Parishad, 1988 (ed.)</span></p> <p><span style="font-size:100%;">Kh. Chaoba Singh : Pi Thadoi, Lamgi Chekla Amada, Loktak</span></p> <p><span style="font-size:100%;">Dr. L. Kamal Singh : Nirjanata, Nirab Rajani</span></p> <p><span style="font-size:100%;">A. Minaketan Singh : Kamalda, Nonggumlakkhoda</span></p> <p><span style="font-size:100%;">L. Samarendra Singh : Ingagi Nong, Mamang Leikai Thambal Satle</span></p> <p><span style="font-size:100%;">E. Nilakanta Singh : Manipur, Lamangnaba</span></p> <p><span style="font-size:100%;">Shri Biren : Tangkhul Hui</span></p> <p><span style="font-size:100%;">Th. Ibopishak : Anouba Thunglaba Jiba</span></p> <p><span style="font-size:100%;">b) Kanchi Sheireng. (Pub) Manipur University 1998 (ed.)</span></p> <p><span style="font-size:100%;">Dr. L. Kamal Singh : Biswa-Prem</span></p> <p><span style="font-size:100%;">Shri Biren : Chaphadraba Laigi Yen</span></p> <p><span style="font-size:100%;">Th. Ibopishak : Norok Patal Prithivi</span></p> <p><span style="font-size:100%;">(II) Epic :</span></p> <p><span style="font-size:100%;">1. A. Dorendrajit Singh : Kansa Bodha</span></p> <p><span style="font-size:100%;">2. H. Anganghal Singh : Khamba-Thoibi Sheireng (San-Senba, Lei Langba, Shamu Khonggi Bichar)</span></p> <p><span style="font-size:100%;">(III) Drama :</span></p> <p><span style="font-size:100%;">1. S. Lalit Singh : Areppa Marup</span></p> <p><span style="font-size:100%;">2. G.C. Tongbra : Matric Pass</span></p> <p><span style="font-size:100%;">3. A. Samarendra : Judge Sahebki Imung</span></p> <p><span style="font-size:100%;">b) Novel, Short-story and Prose :</span></p> <p><span style="font-size:100%;">(I) Novel :</span></p> <p><span style="font-size:100%;">1. Dr. L. Kamal Singh : Madhabi</span></p> <p><span style="font-size:100%;">2. H. Anganghal Singh : Jahera</span></p> <p><span style="font-size:100%;">3. H. Guno Singh : Laman</span></p> <p><span style="font-size:100%;">4. Pacha Meetei : Imphal Amasung, Magi Ishing, Nungsitki Phibam</span></p> <p><span style="font-size:100%;">(II) Short-story :</span></p> <p><span style="font-size:100%;">a) Kanchi Warimacha (Pub) Manipur University 1997 (ed.)</span></p> <p><span style="font-size:100%;">R.K. Shitaljit Singh : Kamala Kamala</span></p> <p><span style="font-size:100%;">M.K. Binodini : Eigi Thahoudraba Heitup Lalu</span></p> <p><span style="font-size:100%;">Kh. Prakash : Wanom Shareng</span></p> <p><span style="font-size:100%;">b) Parishadki Khangatlaba Warimacha (Pub) Manipuri Sahitya Parishad 1994 (ed.)</span></p> <p><span style="font-size:100%;">S. Nilbir Shastri : Loukhatpa</span></p> <p><span style="font-size:100%;">R.K. Elangba : Karinunggi</span></p> <p><span style="font-size:100%;">c) Anouba Manipuri Warimacha (Pub) The Cultural Forum Manipur 1992 (ed.)</span></p> <p><span style="font-size:100%;">N. Kunjamohon Singh : Ijat Tanba</span></p> <p><span style="font-size:100%;">E. Dinamani : Nongthak Khongnang</span></p> <p><span style="font-size:100%;">(III) Prose :</span></p> <p><span style="font-size:100%;">a) Warenggi Saklon [Due Part (Pub) The Cultural Forum Manipur 1992 (ed.)</span></p> <p><span style="font-size:100%;">Kh. Chaoba Singh : Khamba-Thoibigi Wari Amasung Mahakavya</span></p> <p><span style="font-size:100%;">b) Kanchi Wareng (Pub) Manipur University 1998 (ed.)</span></p> <p><span style="font-size:100%;">B. Manisana Shastri : Phajaba</span></p> <p><span style="font-size:100%;">Ch. Manihar Singh : Lai-Haraoba</span></p> <p><span style="font-size:100%;">c) Apunba Wareng. (Pub) Manipur University, 1986 (ed.)</span></p> <p><span style="font-size:100%;">Ch. Pishak Singh : Samaj Amasung, Sanskriti</span></p> <p><span style="font-size:100%;">M.K. Binodini : Thoibidu Warouhouida</span></p> <p><span style="font-size:100%;">Eric Newton : Kalagi Mahousa (translated by I.R. Babu)</span></p> <p><span style="font-size:100%;">d) Manipuri Wareng (Pub) The Cultural Forum Manipur 1999 (ed.)</span></p> <p><span style="font-size:100%;">S. Krishnamohan Singh : Lan</span></p>Live Better Lifehttp://www.blogger.com/profile/14010490978770838506noreply@blogger.com0