Main Exam - Persian Syllabus

Paper-I

There will be two questions which must be answered in Persian. The remaining questions must be answered either in Persian or in the medium of examination opted by the candidate.

Section-A

1. (a) Description of the origin and development of Persian language (to be answered in Persian).

(b) Applied Grammar, Rhetorics, Prosody, Idioms and Phrases frequently used.

(i) Grammar : Ism and its kinds, Zamir-e-Muttasil and Munfasil, Murakkabi-Tausifi, Murakkab-i-Izafi, Ismi-Ishara, Musharun Elaih, Fel and its kinds, Tenses, Gardan, singular and plural, Jumleh and its kinds.

(ii) Rhetorics : Tajnees, Ishteqaq, Luzum-ma-la-yalzum, seyaqatul Aadad, Qalb, Tarsee, Esteaara, Maratun Nazir, Laff-o-Nashr, Iham, Husn-i-Taalil, Tajahuli-Aarefaneh, Talmih, Tansiqus Sifat.

(iii) Prosody : Bahri-Muzara, Ramal, Mutaqarib, Tawil, Hazaj, Kamil.

Section - B

1. Short essay in Persian-250 words (to be answered in Persian).

2. History of Persian Literature in Iran and India; Literary criticism and styles; trends in classical and modern literature; socio-cultural influences, development of modern literary genres including drama, novel, short story.

Paper-II

There will be two compulsory questions–one each in textual portions of prose and poetry which are to be answered in Persian. The remaining questions are to be answered either in Persian or in the medium of examination opted by the candidate.

This paper will require first hand reading of the texts prescribed and will be designed to test the candidate’s critical ability.

Section-A

Prose

1. Nizami Aroozi Samarqandi : Chahar Maqala :

(i) Dabiri

(ii) Shaairi

2. Qabus.b, Washmgir : Qabus Nama :

(i) Dar Shinakhtan-e-Haqq-e-Pidar-wa- Madar

(ii) Dar Bishi Justan Az Sukhandani

(iii) Dar Talib Ilmi Wa Faqih Wa Fuqaha

3. Sadi Shirazi : Gulistan :

(i) Dar Tasir-e-Suhbat

4. Moh. Awfi : Jawameul Hikayat :

(i) First Ten Hikayaat

5. Ziauddin Burney : Tarikh-i-Firozshahi :

(i) Wasaya-i-Sultan Balban Be Farzand-e-Buzurg

6. Abul Fazl Ain-e-Akbari:

(i) Ain-Khazina-i-Abadi

(ii) Ain-e-Shabistan-e-Iqbal

(iii) Ain-e-Manzil Dar Yurisha

(iv) Ain-e-Cheragh Afrozi

7. Sadiq-i-Hedayat:

(i) Dash Akul

(ii) Girdab

8. Mohd. Hijazi :

(i) Khudkushi

(ii) Pezeshk-e-Chashm

Section-B

Poetry

1. Firadausi : Shahnama :

(i) Rustam-o-Sohrab

2. Khayyam : Rubaaiyat (Radif Alif and Be)

3. Saadi Shirazi : Bustan:

‘Dar Adl-u-Tadbir-u-Rai’

4. Amir Khusrau: Majmua-i-Diwan-e-Khusrau. (Radif Dal)

5. Maulana Rum: Mathnawi Maanawi

(First Half of Daftar Duwwum)

6. Hafiz : (Radif Alif and Dal)

7. Urfi Shirazi : Qasaaid :

(i) Iqbal-e-Karam Migazad Arbabi-Himam Ra.

(ii) Har Sukhta Jane Ki Ba Kashmir Dar Ayad.

(iii) Sabah-e-Idd Ke Dar Takiyagah-e-Naz-u-Naeem.

8. Ghalib : Ghazaaliyat (Radif Alif)

9. Bahar Mashhadi :

(i) Jughd-e-Jung

(ii) Sukoot-e-Shab

(iii) Damawandiye

(iv) Dukhtar-e-Basra

10. Furugh-e-Farrukhzad:

(i) Dar Barabad-e-Khuda

(ii) Diw-e-Shab

11. Nimayushij :

(i) Qu

(ii) Khar-Kan

Note :- Textual portions of prose and poetry are to be explained in Persian compulsorily.

Main Exam - Punjabi Syllabus

Paper-I

Answers must be written in Punjabi in Gurumukhi Script.

Section-A

a) Origin of Punjabi language : different stages of development and recent development in Punjabi language : characteristics of Punjabi phonology and the study of its tones: classification of vowels and consonants.

b) Punjabi morphology : the number-gender system (animate and inanimate), prefixes, affixes and different categories of Post positions: Punjabi word formation: Tatsam. Tad Bhav, forms: Sentence structure, the notion of subject and object in Punjabi: Noun and verb phrases.

c) Language and dialect; the notions of dialect and idiolect; major dialects of Punjabi; Pothohari, Majhi, Doabi, Malwai, Puadhi; the validity of speech variation on the basis of social stratification, the distinctive features of various dialects with special reference to tones. Language and script; origin and development of Gurmukhi; suitability of Gurmukhi for Punjabi.

d) Classical background; Nath Jogi Sahit

Medieval literature : Gurmat, Sufti, Kissa and Var Janamsakhis.

Section-B

a) Modern trends Mystic, romantic, progressive and neomystic (Vir Singh, Puran Singh, Mohan Singh, Amrita Pritam, Bawa Balwant, Pritam Singh Safeer, J.S. Neki).

Experimentalist (Jasbir Singh Ahluwalia, Ravinder Ravi, Ajaib Kamal)

Aesthetes (Harbhajan Singh, Tara Singh)

Neo-progressive (Pash. Jagtar, Patar)

Origin and Development of Genres :

b) Folk literature Folk songs, Folk tales. Riddles, Proverbs.

Epic (Vir Singh, Avtar Singh, Azad Mohan Singh)

Lyric (Gurus, Sufis and Modern Lyricists-Mohan Singh Amrita Pritam, Shiv Kumar, Harbhajan Singh)

c) Drama (I.C. Nanda, Harcharan Singh, Balwant Gargi, S.S.Sekhon, Charan Das Sidhu)

Novel (Vir Singh, Nanak Singh, Jaswant Singh Kanwal, K.S. Duggal, Sukhbir, Gurdial Singh, Dalip Kaur Tiwana, Swaran Chandan)

Short Story (Sujan Singh, K.S. Virk. Prem Parkash, Waryam Sandhu).

d) Socio-cultural Sanskrit, Persian Literary influences : and Western.

Essay (Puran Singh, Teja Singh, Gurbaksh Singh)

Literary Criticism (S.S. Sekhon, Attar Singh, Kishan Singh, Harbhajan Singh, Najam Hussain Sayyad).

Paper-II

Answers must be written in Punjabi in Gurumukhi Script.

This paper will require first-hand reading of the texts prescribed and will be designedto test the candidate's critical ability.

Section-A

a) Sheikh Farid The complete Bani as included in the Adi Granth.

b) Guru Nanak Japu Ji Baramah, Asa di Var

c) Bulleh Shah Kafian

d) Waris Shah Heer

Section-B

a) Shah Mohammad Jangnama (Jang Singhan te Firangian)

Dhani Ram Chatrik (Poet) Chandan Vari

Sufi Khana

Nawan Jahan

b) Nanak Singh (Novelist) Chitta Lahu

Pavittar Papi

Ek Mian Do Talwaran

c) Gurbaksh Singh (Essayist) Zindagi di Ras

Nawan Shivala

Merian Abhul Yadaan.

Balraj Sahni (Travelogue) Mera Roosi Safarnama

Mera Pakistani Safarnama

d) Balwant Gargi (Dramatist) Loha Kutt

Dhuni-di-Agg

Sultan Razia

Sant Singh Sekhon (Critic) Sahityarth

Parsidh Punjabi Kavi

Punjabi Kav Shiromani

Main Exam - Pali Syllabus

Paper-I

(Pãli Language)

N.B. All answers must be written in Pali language in Devanãgarî or Roman Script.

Section-A

1. Origin and Homeland of Pãli and its characteristics.

2. Pãli Grammar-(I) Technical Terms of Pãli Grammar-Akkhara, Sara, Vyañjana, Niggahîta, Nãma, Sabbanãma, Ãkhyãta, Upasagga, Nipãta, Abyaya, (II) Kãraka, (III) Samãsa; (IV) Sandhi; (V) Taddhita. (Apaccabodhaka-and Ãdhikãrabo-dhaka-Paccaya); (VI) Etymological derivation of the following words :-

Buddho, Bhikkhu, Sãmanero, Satthã, Dhammo, Latãyã, Purisãnam, Tumhe, Amhebhi, Munina, Rattîsu, Phalãya, Atthîsu, Raññam, Sangho.

3. Translation of two Pãli unseen passages into English.

Section-B

4. Essays consisting of 300 words on any one of the following :

(a) Bhagavã Buddho, (b) Tilakkhanam, (c) Ariyo atthañgiko maggo, (d) Cattãri ariyasaccãni, (e) Kammavãdo (f) Paticcasamuppãdo, (g) Nibbãnam paramam sukham, (h) Tipitakam, (i) Dhammapadam, (j) Majjhimã-Patipadã.

5. Summary of Pãli passages.

6. Explanation of Pãli verses in Pãli.

7. The meaning of following indeclinables ( Abyaya and Nipãta ) and their use in candidates' own Pãli sentences :

(I) Atha, (II) Antarã, (III) Addhã, (IV) Kadã, (V) Kittãvatã, (VI) Ahorattam, (VII) Divã, (VIII) Yathã, (IX) Ce, (X) Seyyathîdam, (XI) Vinã, (XII) Kudãcannam, (XIII) Saddhim, (XIV) Antarena, (XV) Kho, (XVI) Mã, (XVII) Evam, (XVIII) Ettha, (XIX) Kira, (XX) Pana.

Paper-II

(PÃli Literature)

There will be two compulsory questions which must be answered in Pali Languege in Devanagari or Roman Script. The remaining questions must be attempted either in Pali or in the medium of examination opted by the candidate.

Section-A

(i) Life and teachings of Buddha from the Pãli sources.

(ii) History of Pali Literature-Canonical and Non-Canonical with reference to the following books and authors:

Mahãvagga, Cullavagga, Pãtimokkha, Dîgha-Nikãya, Dhammapada, Jãtaka, Theragãthã, Therîgãthã,Dîpavamsa, Mahãvamsa, Dãthãvamsa, Sãsanavamsa, Milindapanha, Petakopadesa, Nettippa-karana, Buddhadatta, Buddhaghosa and Dhammapãla.

Section-B

1. Textual questions, critical comments and annotated translations would be asked from the following prescribed texts :-

(i) Dîghã-Nikãya (Only the Sãmaññaphala-Sutta)

(ii) Sutta-nipãta (Only the Khaggavisana-Sutta and Dhaniya-Sutta )

(iii) Dhammapada (Only the first five Vaggã-s )

(iv) Milindapanha (Only the Lakkhana-panha )

(v) Mahavamsa (Only the Tatiya-Sangiti )

(vi) Abhidhammattha-sangaha (First, Second and Sixth Chapters)

(vii) Pãli Prosody : Vuttodaya -Anutthubha, Indavajirã, Upendavajirã, Vasantatilakã, Mãlinî, Sikharinî, Upajati, totaka, Dodhaka, Vamsattha.

(viii) Pãli Rhetoric : Subodhãlankãrã -Yamaka, Anuppãsa, Rûpaka, Upama, Atisayutti, Vyatireka, Nidassanã, Atthanta-ranyãsa, Dîpaka, Ditthanta.

2. Short Notes on Buddhist concepts dealt within the prescribed texts.

3. Explanation of Pãli Verses from the prescribed texts.

Main Exam - Oriya Syllabus

Paper-I

Answers must be written in Oriya.

Section-A

History of Oriya Language

(i) Origin and development of Oriya Language-Influence of Austric, Dravidian, Perso-Arabic and English on Oriya Language.

(ii) Phonetics and Phonemics : Vowels, Consonants Principles of changes in Oriya sounds.

(iii) Morphology : Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.

(iv) Syntax : Kinds of sentences and their transformation, structure of sentences.

(v) Semantics-Different types of change in meaning Euphemism.

(vi) Common errors in spellings, grammatical uses and construction of sentences.

(vii) Regional variations in Oriya Language (Western, Southern and Northern Oriya) and Dialects (Bhatri and Desia)

Section-B

History of Oriya Literature

(i) Historical backgrounds (social, cultural and political) of Oriya Literature of different periods.

(ii) Ancient epics, ornate kavyas and padavalis.

(iii) Typical structural forms of Oriya Literature (Koili, Chautisa, Poi, Chaupadi, Champu).

(iv) Modern trends in poetry, drama short story, novel, essay and literary criticism.

Paper-II

Answers must be written in Oriya.

Critical Study of texts -

The paper will require first hand reading of the text and test the critical ability of the candidate.

Section-A

Poetry

(Ancient)

1. Sãralã Das-Shanti Parva from Mãhãbharãta.

2. Jaganãth Das-Bhãgãbate, XI Skandha-Jadu Avadhuta Sambãda.

(Medieval)

3. Dinãkrushna Dãs-Rasakallola- (Chhãndas-16 & 34)

4. Upendra Bhanja-Lãvanyabati (Chhãndas-1 & 2)

(Modern)

5. Rãdhãnãth Rãy-Chandrabhãgã

6. Mãyãdhãr Mãnasinha-Jeevan Chitã

7. Satchidãnanda Routray-Kabitã-1962

8. Ramãkãnta Ratha-Saptama Ritu.

Section-B

Drama :

9. Manoranjan Dãs-Kãtha-Ghodã

10. Bijay Mishra-Tata Niranjanã

Novel :

11. Fakir Mohan Senãpati-Chhamãna Ãthaguntha

12. Gopinãth Mohanty-Dãnãpãni

Short Story

13. Surendra Mohãnty-Marãlãra Mrityu

14. Manoj Dãs-Laxmira Abhisara

Essay :

15. Chittaranjan Dãs-Taranga O Tadit (First five essays).

16. Chandra Sekhar Rath-Mun Satya-dhãrma Kahuchhi (First five essays)

Main Exam - Nepali Syllabus

Paper-I

Answers must be written in Nepali.

Section-A

1. History of the origin and development of Nepali as one of the new Indo-Aryan Languages

2. Fundamentals of Nepali Grammar and phonology:

(i) Nominal forms and categories :-

Gender, Number, Case, Adjectives, Pronouns, Avyayas

(ii) Verbal forms and categories-

Tense, Aspects, Voice, Roots and Fixes

(iii) Nepali Swara and Vyanjana;

3. Major Dialects of Nepali

4. Standardisation and Modernisation of Nepali with special reference to language movements (viz. Halanta Bahiskar, Jharrovad etc.)

5. Teaching of Nepali language in India-Its history and development with special reference to its socio-cultural aspects.

Section-B

1. History of Nepali literature with special reference to its development in India.

2. Fundamental concepts and theories of literature :

Kavya/Sahitya, Kavya Prayojan, Literary genres, Shabda Shakti, Rasa, Alankara, Tragedy, Comedy, Aesthetics, Stylistics.

3. Major literary trends and movements-

Swachchhandatavad, Yatharthavad, Astitwavad, Ayamik Movement, Contemporary Nepali writings, Postmodernism.

4. Nepali folklores (the following folk-form only)- Sawai, Jhyaurey, Selo, Sangini, Lahari.

Paper-II

Answers must be written in Nepali.

This paper will require first hand reading of the texts prescribed below and questions will be designed to test the candidate’s critical acumen.

Section-A

1. Santa Jnandil Das-Udaya Lahari

2. Lekhnath Poudyal-Tarun Tapasi

(Vishrams III, V, VI, XII, XV, XVIII only)

3. Agam Singh Giri-Jaleko Pratibimba : Royeko Pratidhwani (The following poems only-rasawako Chichy-ahat-sanga Byunjheko Ek Raat, Chhorolai, Jaleko Pratibimba : Royeko Prati-dhwani, Hamro Akashmani Pani Hunchha Ujyalo, Tihar).

4. Haribhakta Katuwal-Yo Zindagi Khai Ke Zindagi : (The following poems only - Jeevan : Ek Dristi, Yo Zindagi Khai Ke Zindagi, Akashka tara Ke Tara, Hamilai Nirdho Nasamjha, Khai Many-ata Yahan Atmahutiko Balidan Ko).

5. Balkrishna Sama-Prahlad

6. Manbahadur Mukhia-Andhyaroma Banchneharu (The following One-Act plays only-‘Andhyaroma Banchneharu’, ‘Suskera’).

Section-B

1. Indra Sundas-Sahara

2. Lilbahadur Chhetri-Brahmaputrako Chheuchhau

3. Rupnarayan Sinha-Katha Navaratna (The following stories only-Biteka Kura, Jimmewari Kasko, Dhanamatiko Cinema-Swapna, Vidhwasta Jeevan).

4. Indrabahadur Rai-Vipana Katipaya (The following stories only-Raatbhari Huri Chalyo, Jayamaya Aphumatra Lekha-pani Aipugi, Bhagi, Ghosh Babu, Chhutyaiyo).

5. Sanu Lama-Katha Sampad (The following stories only-Swasni Manchhey, Khani Tarma Ekdin, Phurbale Gaun Chhadyo, Asinapo Manchhey).

6. Laxmi Prasad Devkota-Laxmi Nibandha Sangraha (The following essays only-Sri Ganeshaya Namah, Nepali Sahityako Itihasma Sarvashrestha Purus, Kalpana, Kala Ra Jeevan, Gadha Buddhiman Ki Guru?)

7. Ramkrishna Sharma-Das Gorkha (The following essays only-Kavi, Samaj Ra Sahitya, Sahityama Sapekshata, Sahityik Ruchiko Praudhata, Nepali Sahityako Pragati).

Main Exam - Manipuri Syllabus

Paper-I

Answers must be written in Manipuri.

Section-A

Language :

a) General characteristics of Manipuri Language and history of its development; its importance and status among the Tibeto-Burman Languages of North-East India; recent development in the study of Manipuri language; evolution and study of old Manipuri script.

b) Significant features of Manipuri language :

i) Phonology-Phoneme-vowels, consonants juncture, tone, consonant cluster and its occurrence, syllable-its structure, pattern and types.

ii) Morphology : Word-class, root and its types; affix and its types; grammatical categories-gender, number, person, case, tense and aspects, process of compounding (samas and sandhi).

iii) Syntax : Word order : types of sentences, pharse and clause structures.

Section-B

a) Literary History of Manipuri :

Early period (upto 17th century)-Social and cultural background; Themes, diction and style of the works.

Medieval period (18th and 19th century)- Social, religious and political background; Themes, diction and style of the works.

Modern period-Growth of major literary forms; change of Themes, diction and style.

b) Manipuri Folk Literature :

Legend, Folktale, Folksong, Ballad, Proverb and Riddle.

c) Aspects of Manipuri Culture :

Pre-Hindu Manipuri Faith; Advent of Hinduism and the process of syncreticism.

Performing arts-Lai Haraoba, Maha Ras; Indegenous games-Sagol Kangjei, Khong Kangjei, Kang.

PAPER II

Answers must be written in Manipuri.

This paper will require first hand reading of the texts prescribed and will be designed to test the candidate’s critical ability to assess them.

Section-A

Old and Medieval Manipuri Literature

a) Old Manipuri Literature

1. O. Bhogeswar Singh (Ed.) :

Numit Kappa

2. M. Gourachandra Singh (Ed.) : Thawanthaba Hiran

3. N. Khelchandra Singh (Ed.) : Naothingkhong Phambal Kaba

4. M. Chandra Singh (Ed.) :

Panthoibi Khonggul

b) Medieval Manipuri Literature :

1. M. Chandra Singh (Ed.) : Samsok Ngamba

2. R.K.Snahal Singh (Ed.) : Ramayana Adi Kanda

3. N. Khelchandra SIngh (Ed.) : Dhananjoy Laibu Ningba

4. O. Bhogeswar Singh (Ed.) : Chandrakirti Jila Changba

Section-B

Modern Manipuri Literature :

a) Poetry and Epic :

(I) Poetry :

a) Manipuri Sheireng (Pub) Manipuri Sahitya Parishad, 1988 (ed.)

Kh. Chaoba Singh : Pi Thadoi, Lamgi Chekla Amada, Loktak

Dr. L. Kamal Singh : Nirjanata, Nirab Rajani

A. Minaketan Singh : Kamalda, Nonggumlakkhoda

L. Samarendra Singh : Ingagi Nong, Mamang Leikai Thambal Satle

E. Nilakanta Singh : Manipur, Lamangnaba

Shri Biren : Tangkhul Hui

Th. Ibopishak : Anouba Thunglaba Jiba

b) Kanchi Sheireng. (Pub) Manipur University 1998 (ed.)

Dr. L. Kamal Singh : Biswa-Prem

Shri Biren : Chaphadraba Laigi Yen

Th. Ibopishak : Norok Patal Prithivi

(II) Epic :

1. A. Dorendrajit Singh : Kansa Bodha

2. H. Anganghal Singh : Khamba-Thoibi Sheireng (San-Senba, Lei Langba, Shamu Khonggi Bichar)

(III) Drama :

1. S. Lalit Singh : Areppa Marup

2. G.C. Tongbra : Matric Pass

3. A. Samarendra : Judge Sahebki Imung

b) Novel, Short-story and Prose :

(I) Novel :

1. Dr. L. Kamal Singh : Madhabi

2. H. Anganghal Singh : Jahera

3. H. Guno Singh : Laman

4. Pacha Meetei : Imphal Amasung, Magi Ishing, Nungsitki Phibam

(II) Short-story :

a) Kanchi Warimacha (Pub) Manipur University 1997 (ed.)

R.K. Shitaljit Singh : Kamala Kamala

M.K. Binodini : Eigi Thahoudraba Heitup Lalu

Kh. Prakash : Wanom Shareng

b) Parishadki Khangatlaba Warimacha (Pub) Manipuri Sahitya Parishad 1994 (ed.)

S. Nilbir Shastri : Loukhatpa

R.K. Elangba : Karinunggi

c) Anouba Manipuri Warimacha (Pub) The Cultural Forum Manipur 1992 (ed.)

N. Kunjamohon Singh : Ijat Tanba

E. Dinamani : Nongthak Khongnang

(III) Prose :

a) Warenggi Saklon [Due Part (Pub) The Cultural Forum Manipur 1992 (ed.)

Kh. Chaoba Singh : Khamba-Thoibigi Wari Amasung Mahakavya

b) Kanchi Wareng (Pub) Manipur University 1998 (ed.)

B. Manisana Shastri : Phajaba

Ch. Manihar Singh : Lai-Haraoba

c) Apunba Wareng. (Pub) Manipur University, 1986 (ed.)

Ch. Pishak Singh : Samaj Amasung, Sanskriti

M.K. Binodini : Thoibidu Warouhouida

Eric Newton : Kalagi Mahousa (translated by I.R. Babu)

d) Manipuri Wareng (Pub) The Cultural Forum Manipur 1999 (ed.)

S. Krishnamohan Singh : Lan

Main Exam - Konkani Syllabus

Paper-I

Answers must be written in Konkani.

Section-A

History of the Konkani Language :

(i) Origin and development of the language and influences on it.

(ii) Major variants of Konkani and their linguistic features.

(iii) Grammatical and lexicographic work in Konkani, including a study of cases, adverbs, indeclinables and voices.

(iv) Old Standard Konkani, new Standard and standardisation problems.

Section-B:

History of Konkani literature:

Candidates would be expected to be wel-acquainted with Konkani literature and its social and cultural background and consider the problems and issues arising out of them.

(i) History of Konkani literature from its probable source to the present times, with emphasis on its major works, writers and movements.

(ii) Social and cultural background of the making of Konkani literature from time to time.

(iii) Indian and Western influences on Konkani literature from the earliest to modern times.

(iv) Modern literary trends in the various genres and regions including a study of Konkani folklore.

Paper-II

Answers must be written in Konkani.

Tectual Criticism of Konkani Literature

The paper will be designed to test the canidate's critical and analytical abilities. Candidates would be expected to be well-acquainted with Konkani Literature and required to have a first-hand reading of the following texts:

Section-A

Prose

1. a) Konkani Mansagangotri (excluding poetry) ed. by Prof. Olivinho Gomes

b) Old Konkani language and literature-the Portuguese Role

2. a) Otmo Denvcharak-a novel by A.V da Cruz.

b) Vadoll ani Varem-A novel by Antonio Pereira.

c) Devache Kurpen-a novel by V J P Saldanha.

3. a) Vajralikhani-Shenoy Goem-bab-An anthology-ed. by Shantaram Varde Valavalikar

b) Konkani Lalit Niband-Essays-ed. by Shyam Verenkar

c) Teen Dasakam-An lAnthology-ed. by Chandrakant Keni.

4. a) Demand-Drama-by Pundalik Naik

b) Kadambini- A miscellany of modern Prose-ed. by Prof. OJF Gomes & Smt. P.S. Tadkodkar.

c) Ratha Tujeo Ghudieo-by Smt. Jayanti Naik.

Section-B

Poetry

1. a) Ev ani Mori: Poetry by Eduardo Bruno de Souza.

b) Abravanchem Yadnyadan-by Luis Mascarenhas.

2. a) Godde Ramayan-ed.by R.K. Rao

b) Ratnahar I &II-collection of poems-ed. R.V. Pandit.

3. a) Zayo Zuyo-poems-Manohar L. Sardessai.

b) Kanadi Mati Konkani Kavi-Anthology of Poems-ed. Pratap Naik.

4. a) Adrushatache Kalle-Poems by Pandurang Bhangui.

b) Yaman- Poems by Madhav Borkar